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GUESTS OF CITY COLLEGE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

YOU ARE HERE

 

In Loving Memory of Bishop Desmond Mpilo Tutu

 

If your services had been held

In The Cathedral of St. John The Divine in Harlem

My sister could have been the verger

The Ailey dancers might have performed

“I’ve Been Buked and I’ve Been Scorned” from Revelations

The cockles of our American hearts

Surely would have been warmed

 

But you were laid to rest

In your homeland

A single white flower atop the small pine box

Shaped like Jimmy Baldwin’s

 

The pandemic cut the numbers

Masked the mourners

Spaced the seating

But you were there

Smiling from that big picture

Charismatic conscience

Reflecting double rainbows 

On a black sand beach

Toe tapping and fist curling with the choirs 

Instructing us to love and forgive

Make our GPS a moral compass

Maintain grace with grit

Check bitterness in the breezeway

Hate in the heliport

Greed in the garden

Make human decency a destination

You did not make it to 2022

Mpilo

Mama Leah’s love

Mandela’s friend

 

We thank you

We miss you Baba

But we will not say goodbye

 

You are here

You are brave

You are beautiful

 

Prophet

Preacher

Pray-er

 

Nkosi Sikelel’i Afrika

God Bless Africa

 

Amandla!

 

Jeanette Adams 


 

SUMMER & I 

 

I love the summer nights.
The sky fills with stars and the moon.
Walking in a soft breeze, getting my mind clear.
Morning walk and a cup of coffee.
Sometimes the sun and the moon both come and we have a good talk.
The summer rain is funny—most of the time it will chase you home from the street only for a minute or so,
it is very lazy.
And other times, it will not stop crying,
such a baby.
But I enjoy it mostly than, sitting in my veranda, and drinking tea.
Someone's sorrow becomes another one’s happiness.
Summer and I, we get along just fine.

 

Zahura Akter 

Alumna


 

LOVE LETTER TO S

 

I knew 

one day I would find you.

The psychic woman told me. 

She read it in my tarot cards

and showed me in my coffee cup

the letter S in your name.

Every S that came to my life shook my heart

every Salman, Saeed, Stewart, ... .

even if they had S in their middle or last names 

like: Samimi, Steinman, Stevens, ... .

But none of them stayed

and I was left by myself. 

It took me a while to realize

the letter S was in my

Self.

 

Maryam S. Alikhani

Alumna


 

COLLOQUY WITH ANDRÉ COMTE-SPONVILLE

 

Hope is a destroyer of happiness, you say.

To live without it, is the ultimate happiness, you say.

 

Hope is an anticipation which denies the real,

obscures the enjoyment of a small success, you say—

 

ie: to dress, to undress, to possess, to progress, 

to embrace with wisdom and awareness, you say.

 

To will, to act, to love with no hope, no dream

is the undeniable ultimate happiness, you say.

 

But, to be anxious, to doubt, to wish the impossible, 

and hope against all hopes, is part of happiness too, I say.

 

So, do what you must, to live sagely, my dear philosopher.

Let me N.A. hope desperately in what will not happen, I say.

 

Nicole Andonov 

Alumna 


 

NO MATTER HOW HARD LIFE GETS

 

No matter how hard life gets,

if we can find a bench

on which to rest

and set our gaze

on flowers and trees

we can get a sense

of peace

and perspective that pain

does not reign over all

our precious days.

If we are privileged to sit

for even minutes here and there,

we can find an escape

from the prison of our minds,

(which we should be so lucky

to have

as our only shackles).

If we can savor these trees

as they burst forth in spring,

with their petals, sweet pink,

against pillowy clouds,

and new grass at our feet —

we can find time to think,

or not think, as we please,

and simply to be…

 

Emily Axelrod

Alumna


​

BEFORE YOU WERE MY CHILD (FOR MICAH)

 

Before you were my child
heaven draped you across my womb.
Your anatomy was copied,
from two imperfect beings
and became a deep crease,
bent in the middle of
a full-size mattress.

 

You were curved like your
grandmother’s back,
as you rolled your sentiments into me,
inhale by exhale, by inhale,
and I exhaled a field of poems
and expressive masterpieces
into your laughter, your eyes,
the birthmark on your bottom.

 

You were a sky then.
Coarse coils of curls and Caribbean roots,
your movements jerked-
like Sunday’s chicken.

 

My “woody”
My “bambino”

 

You were always mine.

 

Before you were my child,
you belonged to your father,
and his father’s philosophy of soundless
performances.
You sat in my womb,
as an open door;
your movement was your only speech.

 

You were the breeze that snuck in
between the strands of my hair,
the thin threads of gray on your daddy’s chest,
a mirage of olive trees
I have always wanted to plant.

 

You were the tears rolling down the
face of your ancestors,
and a meadow of cactuses,
shaped like a guitar,

 

And when you untied yourself
from the cord that held us together,
you traveled
across an overextended passage,
above a beating heart,
smooth and sweet;
a cloud wrapped in a velvety blanket,
pulling on my breast
commanding daybreak…

 

Kay Bell

Alumna 


 

I’M LEARNNG NOTHING THIS NIGHT

 

The magazine on my lap talks
about milk. Tells me that in America,
every farmer lost money on
every cow, every day of every month
of the year. Imagine that? To wake
up and know you’re digging yourself
deeper into a hole you can’t see
out of, even as your hands are wet
with what feeds you. That’s how this
thing is, holding on & losing a little each
moment. I’m whispering an invented
history to myself tonight—because
letting go is the art of living fully
in the world your body creates
when you sleep. Say a prayer for
the insomniacs. They hunger &
demand the impossible. Pray for
the farmers, hands deep in loam—
body’s weight believing what
the mind knows is ruin, they too
want the impossible, so accustomed
to the earth responding when they call.

 

Reginald Dwayne Betts

Featured Guest Poet 


 

SPIRIT OF THE BLUES

 

I once overheard someone say “Black people sure love to sing”

Any of you ever wonder why Black folks love to sing?

Maybe it’s because there’s spirit in song

Spirit be walkin’

Spirit be talkin’ to you

Spirit be riding them notes like Duke Ellington rode the A train

I know cause notesbe running up and down my spine

Rhythm be beating out the time of immortality, like the first heartbeat of man

And when I was severed from the celestial chorus

Baby I swam them natal waters

And climbed down the silver cord into song

Bessie & Sassy Sarah—Dinah & noble Nina pierced this heart

Moaning ‘bout that man that got away

Scatting ‘bout sending in the clowns 

Crooning ‘bout what a difference a day makes

Angering over strange fruit hanging from southern trees 

Blasting the blues Baby—Blues that began long, long ago with a MOAN…

 

Pickin’ cotton in the hot days sun, Oh Lord I’m tired

 

Blasting blues born of tears shed for fathers & sons, uncles & nephews 

Lying in swamps and unmarked graves

Blues born of tears shed over loved ones

Shot by guns that were supposed to protect and serve

Blues born of the weariness of drinking from separate fountains

Entering through back doors

Blues born from moaning over houses & schools, jobs & back pay that got away

Blues born from waiting centuries to see someone like me

In a White House built by black hands

Blues that began with a moan that morphed into Rhythm & Blues,

Gospel, Reggae… Rock & Roll

 

Yeah, Black people sure do love to sing—Why?

Because a song is a prayer and prayer is a song, and that’s what keeps us keepin’ on

We sang our way out of slavery ‘cause singing is our way of tappin’ into the spirit of God

Why do Black people love to sing? To honor the spirit that lies within us ‘cause

 

We got soul and everybody knows that’s alright, whoa it’s alright

 

Why do we love to sing, because we are the people of “soul”

And we must remember who we are

Lest we forget we spirit

And cease to be… 

 

Laura Y. Bowman


 

FOR SMILING, SHE IS

to Ellinor

 

No swift slick kick or salty sarcasm

flies out from her full feisty fins, unfurled.

That’s just not done in her part of the world.

Yet, wry or sly, her voice is well-piped in,

ghostly, albeit, softer than the din.

On the rug, there, comfortably curled 

around her staff waiting for when she twirled

it overhead in her fast free-formed style,

all the other birds pick at her feathers,

the order long ago established, thus.

They travel the world, sisters, brothers

on a blink that takes them mile upon mile,

and are never once seen to make a fuss.


Bob Burr

Alumnus

 

​

ANY KINDA FREE IS FREE

foolish poet

​

dancing

​

with

​

dogs                         tails wagging

​

happy

​

faces           panting                            you carrying

​

one

​

seventy pound                      girl

​

her tail flying

​

your butt

​

shaking

​

tears

​

running down

 

      your face

 

Charles Butler 


 

LIBATION

 

i.

the clementine

somebody left

on the shelf left

of the ivy-covered place

i call my lover

 

was cold

from early spring

or late fall

air

i peeled it

gently

 

easing it in two

like 

a parting of lips 

one left

on the shelf left

of the ivy-covered place

i call my lover

 

one for 

my parting lips

one left

on the shelf left

of the ivy-covered place

i call my lover

one for

my parting lips

cool & sweet

jeweled flesh

stinging juice 

biting acrid skin

 

ii.

somebody left

a rose

there

on the shelf left

of the ivy-covered place

i call my lover

 

each day

i took a petal 

crushed 

it in my pocket 

let it dry

and crumble to

particulates 

 

the clementine

somebody left

is gone

the rose

petals

particulates 

freed from

my pocket

 

stick 

in my lip

balm

so every brush

brings me

back

 

Nemo O. Captain 


 

BABYN YAR IN TEARS

 

Babyn Yar in tears

Nazi soldiers leave death camps

to attack more Jews 

 

Babyn Yar in tears 

child given to another

at Nazi border

 

Babyn Yar in tears 

babushka remembers where

massacre happened 

 

Babyn Yar in tears 

massive grave site dug in Kyiv

makes way for new one

 

Babyn Yar in tears 

Jewish memorial bombed

Holocaust for all

 

Patricia Carragon


 

CINCO DE MAYO: THE SUPPLY CHAIN

 

As cars await Taiwan’s semiconductor chips, 

Taiwan awaits Ukraine’s neon for chips!

Paper and wood mills await lumber, as 

de-forested forests cry, “no, no, Nanette!” 

Fewer trees mean less rain. What if the Hudson

River asks: why should I flow in two directions? 

and turns its back on the city, moving north fast? 

But where to go? Up-river, the displaced live 

with a certain uncertainty as Hamilton and Lion King

roar back, opening Covid curtains. And whether oceans 

are far off or next door in Sunset Park, I’m grateful, 

biking past, for the two-block-long queue of Chinese 

waiting for a meal. One hundred million mouths I can’t see

have no grain, potash, soil—no supply chain.

 

Jan Castro


 

NIGHTINGALE VS. SKYLARK

 

Today is just tomorrow with its clothes off. 

I slid from admiration to envy,

disenchantment to disdain, for a poet  

I don’t know, I’ve never met, but just now

I read his most recent poems, & thought,

Poor bastard. Perhaps someone somewhere 

reads me & thinks the same, someone whose name

I’ll only hear whispered beneath the knell. 

How goes it? It goes well. It went to hell,

but yesterday is just today, naked

under a sheet like a lover (or a corpse). 

We labor, he & I, in the obscure

(though his obscure is more famous than mine).

Song isn’t a tower but a dark well,

the sinkhole of Time from which we lift up 

water once wine, now just water again,

a freezer-burnt bucket of rhyme. Good times. 

It seems he’s switched from Seidel to Schuyler,

& sure, why not? I stumble toward MacNeice.

We’re searching for a bit of say-our-piece. 

We’re trying for a little day of peace. 

(Speak for yourself, he’d say if he read this.)

No one is ever on the same page. 

Tomorrow is just today’s empty stage,

the spotlight a body without a soul. 

Or is it a soul without a body? 

A spirit looking for an unchoked throat? 

High above, unseen, song is a jet stream,

while I wake or sleep, nothing in between. 

Good luck, I think, even though you know 

the taste of it, even if, to you, it tastes 

like something else, warm but still sharp,

verses versus us, the numbered shadows 

of a wish wrapped around a falling coin. 

I hope you know I wish you well enough. 

 

Gregory Crosby

Alumnus  

 

 

A FRIENDLY MEMO

 

The toast taken at dinner time

was well deserved.

It was not merely

a compliment to the wine;

but more of a gesture for intercourse.

 

Maybe we buried our heads

a little too deep in the glass –

Or, it could have been

some aphrodisiac in the sushi.

 

For whatever it was,

it is now an invisible

connection between us.

 

One small sip on the wine

And we toasted to:

FOREVER FRIENDSHIP –

An ingredient that life

could not do without.

 

Albert Dépas 

Alumnus

 

 

BEING HERE

 

Harried, Harry in a hurry

Down to the stoop step stomp

Pick me up some herring, Harry

But not until dawn, when it’s done

 

Beat rhythm best in brevity, this poem

But who knew?

 

Tall, green grass

Divided and about to die

Why?

When we’re all given unto rest – climb out of time.

 

Katharine Dreves 

 

  

OFF THE CLOCK

 

time hands

bloodless as pineal rapture

cling

 

to 

  breathing a carapace

  presence scratching

  itself

 

a modular climb 

stairing the well

through a curve

 

ending at its level facing

 

*

 

no clarity 

to moss infection

filtered down 

      the

 gumshare     gave      time

   animus       to spread

  atrium       clocks

 

                hammered

   deluxe

echo chimes

or canned luxury atoms

no expiration date 

    slated 

 

            to crest

    against a tithing shore

 

Vernon Frazer

​

​

A SESTINA FOUND ON THE PACIFIC COAST

 

It's only one hour before I board. I want to get there 

to the other end, to make Pacific time, there it is 

above me, my longitude and latitude packed my 

bags. I am tagged like a tat. As I sit 

between unknown people, some too big 

because I want the Tacoma sun. 

 

I want the red of mestizo brick, the pin-prick sun 

of a Sitka spruce and follow the river there when 

I touch down on Walla-Walla, big 

corner of the universe, a burst is 

fog and lighthouse, not smog that sit 

like a skyscraper, but tapers the evergreens packed

 

while salmon snake upriver, packed 

with the Wishram man and his papoose, the sun 

makes me lose my nativism as I sit 

like a caboose. Want to see oddities there antiquities as bleak as the forest is 

pick cherries in the Draper Valley, big 

 

bold women ride yellow bicycles, big 

gourmet trucks, makes me not rush, not a packed 

subway train, but the smell of rain is 

there in the state of Oregon, the sun 

river when I touch down on Walla- Walla, there 

is Georgia O’Keefe to follow, cow skulls sit 

 

from 1933, want to be as old as gold sit 

as a tumbleweed, the color of mardi gras, big as 

Lincoln’s Oregon oak, want to find N.C. Wyeth there 

and Robert Colescott when I touch down packed 

with kayak on the Willamette River, forage me sun 

 

convince me that to be transcontinental is 

traveled as the railroad, sit 

carpetbagger, a swagger of tonic, the sun 

is fresh air, the God-given big

nests of Earth freshly packed 

my moon river, finally made it there 

 

yes, I finally made it there 

sun and air, need nothingness, just to sit 

veranda style, while hydrangeas wrap, the bag is now 

un-packed.

 

Robert Gibbons

Alumnus 


​

WATCHING MY MOM PUT ON DAY WEAR IN THE MIRROR

 

Skin is a manifesto. 

A tragic, triumphant historical novel 

that I can’t seem to stop reading.

The hunger for what could’ve been

under hot light, light-years before my existence. 

Before love was laid on the road.

 

Skin is a manifesto.

I can only pray

to have such confidence in any stride I take.

Her lips a story before my eyes

opened to her face.

Her knees allowed her to whine to the ground

and back to the sky.

In the day glow that was her twenties.

No milk gorged in her mosquito-bite breasts.

Time was no matter.

Time had no space.

 

Skin is a manifesto.

Hips so hopeful,

a sway so free.

They have no place 

in space or time.

I can’t help but think,

this flows through my blood.

 

Jada Gordon

Alumna 


 

THE MOSAIC OF NURSING

 

I may not be a Nightingale or a Seacole clone

but can help you heal your shattered spirit not just your broken bones

I don’t see age, sexuality, class, color, creed or race

I see my mother, father, sister, brother and my child in your face

from the first breath throughout life until the tomb

with sacred compassion I’ll be there to heal your wounds 

I’ll ensure pain will never take you hostage 

a pain-free zone is my recommended treatment dosage

I’m more than someone with pills to disperse

I’m your confidant, advocate and your well-being come first

you are more than a diagnosis, dressing and vital signs

you are an individual with universal needs, a soul and mind.

when age and dementia should be charged with identity theft

memory slowly vaporizes until only confusion is left

or if mental illness invades your body and feeds on sanity

I will dress you in garments of respect and dignity

when language dissipates and it’s difficult for needs to be discern 

your verbal and non-verbal language I will endeavor to learn

I don’t expect a financial blessing at the end of each shift

your optimal health, smile, comfort and thank you give me a lift

when hope is smaller than a molecule and the prognosis is poor

I’ll hold your hand at the threshold of death’s door

because, but for the grace of God the roles were reversed

I could be lying there and you could be my nurse.

 

Teresa Gray


 

ANOTHER POEM

 

everything happens at once

the cops bust in the radio says

the cops are busting in the wind

ow shatters there is a camel hump

ing down the street the wind is

playing delightfully your hair in

my face Captain John Smith is

in Ukraine and no one will ever

be the same not once not again

 

Bob Holman


 

WILLIE MAYS IN 1850 

 

Willie is always the first one selected 

when the overseer commands two slaves

to choose up teams for cotton picking contests

because the master gives a cup of sugar 

to the slaves on the team that amasses the most.

 

Willie is the only one who anyone remembers

feeding cotton into gins for hours on end

and pulling out his fingers fast enough each bunch

he never gets injured, not even a scratch.

 

Willie sometimes wakes from restless sleep

filled with yearning, something he can’t describe,

something with neither shape nor name,

so he steals away to Black Warrior River

and under moonlight pitches stone after stone 

into the air across the water and to the other side.

 

Marc Jampole


 

NIGHT: THREE HAIKU 

 

It’s a night like none 

Of the rest: too much too soon, 

Too little too late. 

 

A warm moon resting 

Above the simplest power 

Of water obeys. 

 

The end is quite near. 

Look at the sky or cracked moon: 

Acts of gray reign down. 

 

J. Chester Johnson


 

INTERLUDE 

 

I learned from Joyce the name of certain times

When who you are, must try to do and be,

Pours through you with the utmost clarity:

Epiphany. I learned from Ezra Pound

About that instant when the world’s stripped down

To one essential scene, in which the gods

Return to where you are, your one true home.

From myself I learned that this true home,

In this green space (in just one tree, perhaps),

Was a nest that I could build if I first named

What and who might fill it in, what boys

And girls in the green of Never-Never land,

Clinging to each other as they wait 

For Peter Pan. In such an interlude,

A pause between the major scenes and sounds,

A time before my mother called me in,

I found the spot a poem might begin.     

 

David M. Katz

Alumnus


​

LIMPKIN 

 

The limpkin’s cry has a quality of unutterable sadness, as though 

the bird is wailing in despair at the desolation of its watery surroundings. 

 

—from 100 Birds and How They Got Their Names


Eliza Summer was hanging socks on the backyard line

when she heard it. Clothes pins rained on the ground. 

 

Lord have mercy, she prayed. Her hound lifted his 

head to howl, then changed his mind. Diane Johnson 

 

and her son Kip were peeling potatoes when they heard it. 

Out on their porch, Kip still held his knife. Diane touched 

 

his arm as if to ask, Hear that? Kip claimed it was a bird, 

but Eliza knew it was that newlywed girl in the old white 

 

house. Mary. It was a limpkin, Kip insisted, the swamp—.

His mother clucked. What did a boy know about heartbreak? 

 

When Jen Kroll heard it, she called her father for the first time 

in thirteen years. Joe Sprague slipped in the tub when he heard 

 

it, and Paul Hoag at the diner shook coffee in his eggs. Diane 

whispered, That Mary came in the clinic last week, forearms

 

shredded like—. She took Kip’s knife. Nudged him. Go shoot 

baskets. Sissy Freer cut off the tip of one braid with a tree pruner 

 

when she heard it. Diane wished she didn’t know about Mary. 

Inside the house, she crossed herself, lit the wrong end 

 

of a cigarette. When she called him in, Kip missed his shot. 

He knew plenty about heartbreak. He’d had a father. 

 

Meg Kearney

Alumna

 

 

SIJO 

 

Your grandma’s words and laughter,

my mother a storytime,

across a rock and soil weir;

 

A garden of sensory,

ancestral paternal tree;

verbalize and summoner,

singing our bathwater song;

 

We try in Saturday School,

up in the Bronx, Riverdale, 

and Sunday, parents and mothers,

will celebrate together. 

 

Robby Kim

Alumnus


 

STREAMING THE VISION FESTIVAL 25

after Muriel Rukeyser and Ada Limón

 

You said, “Let’s listen to the second set first.  We can do that, right?”

You said that with the technology of past and present

You asked which of the six vocalists was barking

You said, “Isn’t that someone I know in the audience?”

 

You said, “William Parker’s bass…”

You said this music is crystalline

You said, “Look at the sky.  It’s so dark.  Isn’t it going to rain?”

 

Patricia announced, “Get your food and drinks now 

before the next set begins”

 

You said, “Alicia's face is beautiful” 

I added, ”Yes, but her hairdo is unfortunate”

You said that my paté looks like dog food so I gobbled some.

You chuckled, wrinkled your brow, 

and said, “Now you smell like a dog”

 

You said, “The piano, bass and viola 

should call themselves a string trio.  

I replied, “Actually, they do.  Matt Shipp’s String Trio”


You said oysters and okra tomorrow,

a Jacques Tatí movie after-

M Hulôt’s Holiday peut-être

 

Steve Koenig


 

RESTORATION

for Soraya Hadassah Levine-Brooks

 

The cardinals on Myrtle Avenue sing

of spring as if nature belongs to its winged-self,

 

despite the houses and concrete,

despite the cars lining alternate sides

of the street on alternate days

 

of the week.  And everyday it is so,

that people return from work and park

 

under power and telephone lines

and the Gabriel-like trumpeting

of cardinals singing Cheer!  Cheer!  Cheer!,

 

as if welcoming them home,

as if restoring them to nature.

 

Richard Levine

Alumnus

​
 

ANCHADA: A LOVE POEM

 

 (& for otis)

 

love doesn’t need travel to

make sense of a world 

where dogs 

grow old

 

in front of blousy, 

jasmine, bottlebrush, 

and crepe myrtle, while

 

we exist 

 

rooted in days, 

where back up is 

a stingy rope of tinsel 

 

ashes from Christmases long ago  

 

so love can rightly be a rosary, 

a tin savior, or a tilted genie

though just one love seed,

 

is much more the rose

that always blooms 

and keeps me

 

from folding

 

you from falling

           

ellen wendy lytle

 

 

ADVICE ON HOW BEST TO WRITE POETRY

 

one of your eyes reads Cyrillic letters

the other - Latin alphabet 

some write verses from left to right –

Yehuda Amichai wrote from right to left

the golden Chinese poets wrote many works in columns:

these few black kernels of cinnamon

just the right spice for the cookery of world poetry

 

but regardless of the time (in which they lived)

or their method of writing –

or the alphabet (they used)

they all loved: wine and women - mountain ranges –

fried fish - salad of red peppers

wasting money and welshing on their debts – 

they all hunted for sounds

like grown kids with nets for catching fish and butterflies –

or like terminal alcoholics

hopeless drug addicts

sexual perverts –

heirs to Narcissus - Odyssey – Orpheus

 

some wrote with a pen

others cut their veins - and dipped into the blood

thickened by alcohol and drugs

- a fat needle –

the proboscis of a somnolent bee

but regardless of the liquid drying

on the paper or the cuff of a sleeve –

the poetry recorded by any method

became color and sound

excrement – vomit

and sanies

 

now and then

a dying bee

may fall onto your window sill

from some other space;

and while - lying on its back - it is flailing away at the viscous autumn air

you'll renounce all advice on how to write poetry

for when you watch: how yachts prepare to leave this bay

and - how sailors - say goodbye to their temporary lovers

and - how tar disappears head down - like a corpse - in water

and - how thousands of saxophones - like question marks – 

digest in their stomachs the green droppings of music

and - how the electric current passing through the thinnest string of a violin

reduces to ashes the slightest resistance of a false note

you know: 

that it is dangerous to tread this footbridge

laid out by a full moon

on the brocaded body of water

and therefore any kind of advice will prove to be useless

seems to me someone has tried this before

 

Vasyl Makhno

Special Guest Poet 

Translated from the Ukrainian by Orest Popovych

 

THE MOWER AND THE GRASS

My tears fell onto the clover as I mowed

like giving a haircut to a young child

though there was no fussing at the cut

only its resignation against my purpose

emerald green tips settling onto the soil

to decay and feed what remains of the body.

 

John McCaffrey

Alumnus

​

​

INSOMNIA 

It isn’t just the clock that measures time.
The earth is moving darkness overhead.
Or darkness doesn’t move; then you’re dead.
Stealing someone’s minutes is a crime.
The words tonight are bound in perfect rhyme,
but rhythm falters in this dullness spread
like stones across your chest. Your breath is lead;
your flesh, a pale and impotent paradigm.

 

The nakedness you fear is no one’s hell.
Love makes everyone an infidel.

 

Richard Newman


 

BIKING TO THE GEORGE WASHINGTON BRIDGE

 

It sweeps away depression and today

you can’t tell the heaped pin-white 

cherry blossoms abloom along

Riverside Drive from the clouds above

it is all kerfluffle, all moisture and light 

so into the wind I go

past Riverside Church and the Fairway

Market, past the water treatment plant

and in the dusky triangle below

a hulk of rusted railroad bed 

a single hooded boy is shooting hoops

 

It’s ten minutes from here to the giant bridge

men’s engineering astride the sky heroic

an animal roar of motors on it

the little red lighthouse at its foot

big brother befriending little brother 

in the famous children’s story 

eight minutes back with the wind behind me

passing the boy there alone shooting

his hoops in the gloom

 

A neighborhood committee

must have said that space

should be used for something recreational

a mayor’s aide must have said okay

so they put up basketball and handball courts

and if it were a painting or a photo

you would call it American loneliness

 

Alicia Ostriker


 

8.9.21: DELTA RISING 

 

we were oh so mistaken,

misinformed, misdirected—

no creature from the blue 

lagoon, you, lumbering clumsy

up from the deep, you

 

ghost in summer

clothes, aerial shape/

shifter, lethal variant

covid-19, coronavirus, delta

 

rising

throwing shade,

casting shadows,

breaking

waves

 

Eve Packer


 

IN PRAISE OF DETROIT

 

Before we loved girls, we loved cars—

Furys, Chargers, GTOs, the ‘65

Ford Mustang, first of the far-out pony

cars, with its long hood and short rear. 

Running to the curb, we gave our appraisals 

and benedictions. And on that rare and glorious 

occasion, the holy grail itself would shark

into view--the Corvette Stingray. It was the only 

thing that could stop a ballgame cold, reducing 

our rag-tag gang of scruff-necks to giddy delight.

Our apartment parking lot was filled 

with relics from the age of Ike—my folks’

mint-green Dodge Wayfarer—stolid and solid 

like the decade they rode in from. Only Jim,

the bodybuilder, and Jan with her platinum 

beehive, Capris, and high-heel mules (was she 

even the same species as our mothers?) defied 

the status quo—their peacock-blue Thunderbird stood 

out like a cheerleader in a room full 

of wallflowers. I remember my cousin C.C. Morasco’s 

convertible—a corsage-pink Corvair Corsa--her long 

blonde hair streaming, grown men shyly waving, 

as she floated by in the new toy my Uncle Phil 

had presented her on graduation day. That same summer, 

speeding up Post Road, she ran head-on into 

a metal lamp pole across from the Dairy Bar. The car 

stopped but C.C. did not.  Coffin closed.  

And Shoeshine Stevie in his sharkskin 

pants and Ban-Lon double knit, smoking his one-eyed 

mother’s Chesterfields, pointing out the “rides” 

to me, his “little buddy,” that he would one day be 

commandeering—his favorite, the Eldorado Biarritz, 

with its savage fins and fiberglass parade boot. Cool, 

old Stevie, who drove his rusted Ford pickup off 

a bridge down in Raleigh. Tonight, driving in my black 

box SUV, barely distinguishable from the millions of others—

I long for old Detroit style. Give me an Iris Mint GTO with hood 

scoops and Hurst shifter, a Samoan Bronze Metallic Deville 

convertible—the kind my mom said Andy Williams drove 

to the Kahiki Supper Club in Waikiki. Make my hero drive

a Ford Mustang 390 GT 2+2 Fastback—the bad guy, 

a Dodge Charger 440 with flying buttress rear window. 

And give me C.C. Morasco, Lolita of the Mount,” pink lips 

and fingernails, soft tan hands at 10 and 4 on the pink fur 

covered steering wheel, matching rabbit’s foot dangling 

from the rearview mirror, doing that 10 mph crawl up the dusk 

dream boulevard, kids all lined up, all watching C.C., right 

there on the corner of Pine and Long, where we dreamed 

we would one day shine bright as the stars.

 

Rick Pernod 

Alumnus



 

EYES TO THE CEILING

 

considering soul grease

Annapurna, the excrescences

in music and ticklish armpits

 

in the lag from light switch to sun

what the night sky’s striptease inverts

 

I reboot my throat

learn to speak again

 

to chide the bloodlines of a wintry picnic

 

There is a crumb on my lip

and no one will tell me

 

why today’s street resembles Montmartre

                                                                                               

its dew is another continent’s hope                                

another’s nothing, nada - blameless                                                        

 

The ruse of emotion on my afroed heart

seeks to thumb rightness into ripple

 

Such comedy to inspect the gale

let alone its imperfect mission.

 

Jaclyn Piudik 

Alumna

 

 

WINDOWS: A PSEUDO-MODERNIST PSALM

 

The Age of Information

Have mercy on

our stage of saturation

 

Let us

set our Sponge Bob selves

on sills

more contemplative than those ‘70’s

TV’s thrown mad as hell through windows

Leave screens in place

yet perch ourselves 

around the world
outwards 

on windowsills

those simpler daises

double as benches

in our globe’s

stadium 

 

The singular spectacle:

our 

majestic 

Star

that ironically spotlights

poor porous us

our

quotidian

Savior

that innately cremates

the leaden blood of tongues and brains

of friend and faux

till 

we

all

meld 

to

light 

 

Tamra Plotnick 


 

A WALK IN THE PARK 

 

My wife and I take a walk.
Our goal is not far, and we are slow,
but on the way we talk about going somewhere, 
when traveling is easier
and we are able to go somewhere.
She would like to see the redwoods in California.
I would like to see them, too.
But I want to go farther, across the Pacific.
“I want to go to a different country,” I explain.
Meanwhile, we watch numbers of people
examining flower blossoms in every color.

My wife and I have walked uphill.
We can look down at a cloudy lake,
on whose shore turtles bask in the early sun,
and a cormorant spreads its wings.
We’re told by a park ranger
the cormorant is part of a couple this year,
while in earlier years it was single.
Our path out of the park is downhill;
we will be able to walk relatively faster.
Even so, we go slowly,
compared to those who run around us.

 

Thad Rutkowski


 

YEAR OF THE TIGER 

No contraband cherry bombs this year,
but various tubular devices 
that shot a multihued spew 
of glitter on spectator pates, bringing in 
the Year of the Tiger with more than
a whimper, but less than a bang.

Politicos preening 
behind block-long dragons.
Policeman playing tubas.
Firetrucks sirening tuneless tunes.
Flatbed floats replete with dancing maidens.
Taoist sages grimacing and waving.

Bang and clang and crash and clatter. 
Good riddance to that last Rat of a Year 
which failed to appear, even in cameo, 
in the parade cheering on its demise. 
Rat slinked off unseen.

Until the subway ride home
when the wily rodent 
showed up grinning—the past 
briefly leering at the future,
then scampering down the track
to avoid an oncoming train. 

 

Richard Schiffman


 

DEAR DIARY

 

New York’s never “coming back” 

That’s not our style 

We do not retreat 

Always plunge ahead 

Yes, with uncertainty 

Tarnished about the edges 

Leaderless now, but not lost. 

 

Fleeing millionaires hoard much heralded tax revenues 

Only their money will be missed 

Not the hollow hives built upon municipal corruption 

One percenters, your retreat will birth a renaissance 

True citizens cherish these struggling streets 

So please, abandon our overcrowded island to those who will reinvent New York 

tattered as it may momentarily seem. 

 

My hometown survived Spanish flu, polio, AIDS 

Revolutionary, Civil, two World Wars, and terrorist attack 

The one direction that New York City never goes ——is back!

 

Ilka Scobie


 

QUESTIONS SONNET 

 

Who are you? Why are you reading this poem?

And what will you achieve by perusing it? 

Do you read bushels of poems – or is this

the first poem you have ever tried (alone)

to read? Do you usually read fat

novels? Biographies of Lafayette?

Tuscan cookbooks? The 21-Day Self-

Love Challenge? The Ultimate Guide to Walks, 

Patios & Walls? “Tell-all” Hollywood

memoirs (This Will Only Hurt a Little 

by Busy Phillips, for example)? All

the Cherry Ames books (Cruise Nurse, Boarding School

Nurse, Stewardess Nurse, Country Doctor’s Nurse, 

Braille Nurse, Underwater Nurse, Ski Nurse)?

 

Sparrow 

Alumnus 



 

FINDING A BOOK YOU LOVE 

 

On the last page,

if your tears well up

 

then stream down

and fall from your jaw,

 

so you keep wiping

them off with your hand,

 

you’ll know loneliness

and gratitude just collided.

 

Melinda Thomsen 

Alumna


 

MIRROR LEAF  


Every leaf reflects the sky
  dreams of birds and clouds gone by,
    warm summers, frosty nights
       living green, autumn light.
Sings of rain and stars that blaze
   and hold the star watcher’s gaze,
      jeweled wonder in the night,
            traced in constellations bright.
Speaks of moon suspended white
   between the boughs adorned in light.
Remembers storms that break...
  the gaps of sky left in their wake,
   the ones who stand rooted deep,
    the bent who held off defeat,
     the sturdy limbs who caught their friends
      and spared them from a different end. 
Now the leaves dance down,
   whirl when they touch the ground.
       a mirror woven silver-blue
          reflects a dream inside of you.
Life sleeps beneath your feet,
   earth rhythm, heart’s beat. 
Breathe in the Peace of Trees.
Dance with the fallen leaves.
Warm sun behind closed eyes.
Every leaf reflects the sky.

 

Mason Trent


 

TIME 

                                                     

Time     wearing a top hat     comes in     

through a locked door,

tastes the simmering spaghetti sauce,

 

stretches out on my desk

says “Hi!”      breathing out oregano and garlic

through a mouthful of yellowing teeth.

 

I give it      an unwelcoming stare.

It looks hurt      slides off and disappears.

When I open the refrigerator door,

 

it rushes out      and wraps around my arm.

I try to shake it off     but the grip is a vise.

I give up, let it hang from underneath my elbow.

 

Time stays quiet     sleeps like a sloth

with an occasional kick in my ribs.

“Just to remind you I’m here.”

 

 At night it sings me to sleep    chanting:

“I’m Time     your one and only precious Time!”

I beg for it to stop     the presumptuous, arrogant beast!

 

It pays no attention to my requests     keeps singing  

until I fall asleep.

 

Helen Tzagoloff

 

 

FLIGHT MANUAL 

for Barry Wallenstein

 

Obey the wind when it waggles your wings.

Blue-streak curse when you get hurt.

Lie when the dice are more loaded than you.

 

Live like tomorrow owes you a silver dollar.

Love like fog hugging the river, before 

dawn’s red cap ushers in a separate agenda.

 

Join a chorus of flame-throwers all aimed

at the same outcome—a silver-tailed comet

that shows up in your eyes when you stare

 

at the ghost we’re seamlessly laying out

to take the place of forever and its rabble horde,

lost in the crossroads of your place or mine.

 

Try hard to find a way to be found.

The diamonds we cut don’t hoard any shine.

 

Jeffrey Cyphers Wright

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