CCNY Poetry Outreach Center
GUESTS OF CITY COLLEGE
YOU ARE HERE
In Loving Memory of Bishop Desmond Mpilo Tutu
If your services had been held
In The Cathedral of St. John The Divine in Harlem
My sister could have been the verger
The Ailey dancers might have performed
“I’ve Been Buked and I’ve Been Scorned” from Revelations
The cockles of our American hearts
Surely would have been warmed
But you were laid to rest
In your homeland
A single white flower atop the small pine box
Shaped like Jimmy Baldwin’s
The pandemic cut the numbers
Masked the mourners
Spaced the seating
But you were there
Smiling from that big picture
Charismatic conscience
Reflecting double rainbows
On a black sand beach
Toe tapping and fist curling with the choirs
Instructing us to love and forgive
Make our GPS a moral compass
Maintain grace with grit
Check bitterness in the breezeway
Hate in the heliport
Greed in the garden
Make human decency a destination
You did not make it to 2022
Mpilo
Mama Leah’s love
Mandela’s friend
We thank you
We miss you Baba
But we will not say goodbye
You are here
You are brave
You are beautiful
Prophet
Preacher
Pray-er
Nkosi Sikelel’i Afrika
God Bless Africa
Amandla!
Jeanette Adams
SUMMER & I
I love the summer nights.
The sky fills with stars and the moon.
Walking in a soft breeze, getting my mind clear.
Morning walk and a cup of coffee.
Sometimes the sun and the moon both come and we have a good talk.
The summer rain is funny—most of the time it will chase you home from the street only for a minute or so,
it is very lazy.
And other times, it will not stop crying,
such a baby.
But I enjoy it mostly than, sitting in my veranda, and drinking tea.
Someone's sorrow becomes another one’s happiness.
Summer and I, we get along just fine.
Zahura Akter
Alumna
LOVE LETTER TO S
I knew
one day I would find you.
The psychic woman told me.
She read it in my tarot cards
and showed me in my coffee cup
the letter S in your name.
Every S that came to my life shook my heart
every Salman, Saeed, Stewart, ... .
even if they had S in their middle or last names
like: Samimi, Steinman, Stevens, ... .
But none of them stayed
and I was left by myself.
It took me a while to realize
the letter S was in my
Self.
Maryam S. Alikhani
Alumna
COLLOQUY WITH ANDRÉ COMTE-SPONVILLE
Hope is a destroyer of happiness, you say.
To live without it, is the ultimate happiness, you say.
Hope is an anticipation which denies the real,
obscures the enjoyment of a small success, you say—
ie: to dress, to undress, to possess, to progress,
to embrace with wisdom and awareness, you say.
To will, to act, to love with no hope, no dream
is the undeniable ultimate happiness, you say.
But, to be anxious, to doubt, to wish the impossible,
and hope against all hopes, is part of happiness too, I say.
So, do what you must, to live sagely, my dear philosopher.
Let me N.A. hope desperately in what will not happen, I say.
Nicole Andonov
Alumna
NO MATTER HOW HARD LIFE GETS
No matter how hard life gets,
if we can find a bench
on which to rest
and set our gaze
on flowers and trees
we can get a sense
of peace
and perspective that pain
does not reign over all
our precious days.
If we are privileged to sit
for even minutes here and there,
we can find an escape
from the prison of our minds,
(which we should be so lucky
to have
as our only shackles).
If we can savor these trees
as they burst forth in spring,
with their petals, sweet pink,
against pillowy clouds,
and new grass at our feet —
we can find time to think,
or not think, as we please,
and simply to be…
Emily Axelrod
Alumna
​
BEFORE YOU WERE MY CHILD (FOR MICAH)
Before you were my child
heaven draped you across my womb.
Your anatomy was copied,
from two imperfect beings
and became a deep crease,
bent in the middle of
a full-size mattress.
You were curved like your
grandmother’s back,
as you rolled your sentiments into me,
inhale by exhale, by inhale,
and I exhaled a field of poems
and expressive masterpieces
into your laughter, your eyes,
the birthmark on your bottom.
You were a sky then.
Coarse coils of curls and Caribbean roots,
your movements jerked-
like Sunday’s chicken.
My “woody”
My “bambino”
You were always mine.
Before you were my child,
you belonged to your father,
and his father’s philosophy of soundless
performances.
You sat in my womb,
as an open door;
your movement was your only speech.
You were the breeze that snuck in
between the strands of my hair,
the thin threads of gray on your daddy’s chest,
a mirage of olive trees
I have always wanted to plant.
You were the tears rolling down the
face of your ancestors,
and a meadow of cactuses,
shaped like a guitar,
And when you untied yourself
from the cord that held us together,
you traveled
across an overextended passage,
above a beating heart,
smooth and sweet;
a cloud wrapped in a velvety blanket,
pulling on my breast
commanding daybreak…
Kay Bell
Alumna
I’M LEARNNG NOTHING THIS NIGHT
The magazine on my lap talks
about milk. Tells me that in America,
every farmer lost money on
every cow, every day of every month
of the year. Imagine that? To wake
up and know you’re digging yourself
deeper into a hole you can’t see
out of, even as your hands are wet
with what feeds you. That’s how this
thing is, holding on & losing a little each
moment. I’m whispering an invented
history to myself tonight—because
letting go is the art of living fully
in the world your body creates
when you sleep. Say a prayer for
the insomniacs. They hunger &
demand the impossible. Pray for
the farmers, hands deep in loam—
body’s weight believing what
the mind knows is ruin, they too
want the impossible, so accustomed
to the earth responding when they call.
Reginald Dwayne Betts
Featured Guest Poet
SPIRIT OF THE BLUES
I once overheard someone say “Black people sure love to sing”
Any of you ever wonder why Black folks love to sing?
Maybe it’s because there’s spirit in song
Spirit be walkin’
Spirit be talkin’ to you
Spirit be riding them notes like Duke Ellington rode the A train
I know cause notesbe running up and down my spine
Rhythm be beating out the time of immortality, like the first heartbeat of man
And when I was severed from the celestial chorus
Baby I swam them natal waters
And climbed down the silver cord into song
Bessie & Sassy Sarah—Dinah & noble Nina pierced this heart
Moaning ‘bout that man that got away
Scatting ‘bout sending in the clowns
Crooning ‘bout what a difference a day makes
Angering over strange fruit hanging from southern trees
Blasting the blues Baby—Blues that began long, long ago with a MOAN…
Pickin’ cotton in the hot days sun, Oh Lord I’m tired
Blasting blues born of tears shed for fathers & sons, uncles & nephews
Lying in swamps and unmarked graves
Blues born of tears shed over loved ones
Shot by guns that were supposed to protect and serve
Blues born of the weariness of drinking from separate fountains
Entering through back doors
Blues born from moaning over houses & schools, jobs & back pay that got away
Blues born from waiting centuries to see someone like me
In a White House built by black hands
Blues that began with a moan that morphed into Rhythm & Blues,
Gospel, Reggae… Rock & Roll
Yeah, Black people sure do love to sing—Why?
Because a song is a prayer and prayer is a song, and that’s what keeps us keepin’ on
We sang our way out of slavery ‘cause singing is our way of tappin’ into the spirit of God
Why do Black people love to sing? To honor the spirit that lies within us ‘cause
We got soul and everybody knows that’s alright, whoa it’s alright
Why do we love to sing, because we are the people of “soul”
And we must remember who we are
Lest we forget we spirit
And cease to be…
Laura Y. Bowman
FOR SMILING, SHE IS
to Ellinor
No swift slick kick or salty sarcasm
flies out from her full feisty fins, unfurled.
That’s just not done in her part of the world.
Yet, wry or sly, her voice is well-piped in,
ghostly, albeit, softer than the din.
On the rug, there, comfortably curled
around her staff waiting for when she twirled
it overhead in her fast free-formed style,
all the other birds pick at her feathers,
the order long ago established, thus.
They travel the world, sisters, brothers
on a blink that takes them mile upon mile,
and are never once seen to make a fuss.
Bob Burr
Alumnus
​
ANY KINDA FREE IS FREE
foolish poet
​
dancing
​
with
​
dogs tails wagging
​
happy
​
faces panting you carrying
​
one
​
seventy pound girl
​
her tail flying
​
your butt
​
shaking
​
tears
​
running down
your face
Charles Butler
LIBATION
i.
the clementine
somebody left
on the shelf left
of the ivy-covered place
i call my lover
was cold
from early spring
or late fall
air
i peeled it
gently
easing it in two
like
a parting of lips
one left
on the shelf left
of the ivy-covered place
i call my lover
one for
my parting lips
one left
on the shelf left
of the ivy-covered place
i call my lover
one for
my parting lips
cool & sweet
jeweled flesh
stinging juice
biting acrid skin
ii.
somebody left
a rose
there
on the shelf left
of the ivy-covered place
i call my lover
each day
i took a petal
crushed
it in my pocket
let it dry
and crumble to
particulates
the clementine
somebody left
is gone
the rose
petals
particulates
freed from
my pocket
stick
in my lip
balm
so every brush
brings me
back
Nemo O. Captain
BABYN YAR IN TEARS
Babyn Yar in tears
Nazi soldiers leave death camps
to attack more Jews
Babyn Yar in tears
child given to another
at Nazi border
Babyn Yar in tears
babushka remembers where
massacre happened
Babyn Yar in tears
massive grave site dug in Kyiv
makes way for new one
Babyn Yar in tears
Jewish memorial bombed
Holocaust for all
Patricia Carragon
CINCO DE MAYO: THE SUPPLY CHAIN
As cars await Taiwan’s semiconductor chips,
Taiwan awaits Ukraine’s neon for chips!
Paper and wood mills await lumber, as
de-forested forests cry, “no, no, Nanette!”
Fewer trees mean less rain. What if the Hudson
River asks: why should I flow in two directions?
and turns its back on the city, moving north fast?
But where to go? Up-river, the displaced live
with a certain uncertainty as Hamilton and Lion King
roar back, opening Covid curtains. And whether oceans
are far off or next door in Sunset Park, I’m grateful,
biking past, for the two-block-long queue of Chinese
waiting for a meal. One hundred million mouths I can’t see
have no grain, potash, soil—no supply chain.
Jan Castro
NIGHTINGALE VS. SKYLARK
Today is just tomorrow with its clothes off.
I slid from admiration to envy,
disenchantment to disdain, for a poet
I don’t know, I’ve never met, but just now
I read his most recent poems, & thought,
Poor bastard. Perhaps someone somewhere
reads me & thinks the same, someone whose name
I’ll only hear whispered beneath the knell.
How goes it? It goes well. It went to hell,
but yesterday is just today, naked
under a sheet like a lover (or a corpse).
We labor, he & I, in the obscure
(though his obscure is more famous than mine).
Song isn’t a tower but a dark well,
the sinkhole of Time from which we lift up
water once wine, now just water again,
a freezer-burnt bucket of rhyme. Good times.
It seems he’s switched from Seidel to Schuyler,
& sure, why not? I stumble toward MacNeice.
We’re searching for a bit of say-our-piece.
We’re trying for a little day of peace.
(Speak for yourself, he’d say if he read this.)
No one is ever on the same page.
Tomorrow is just today’s empty stage,
the spotlight a body without a soul.
Or is it a soul without a body?
A spirit looking for an unchoked throat?
High above, unseen, song is a jet stream,
while I wake or sleep, nothing in between.
Good luck, I think, even though you know
the taste of it, even if, to you, it tastes
like something else, warm but still sharp,
verses versus us, the numbered shadows
of a wish wrapped around a falling coin.
I hope you know I wish you well enough.
Gregory Crosby
Alumnus
A FRIENDLY MEMO
The toast taken at dinner time
was well deserved.
It was not merely
a compliment to the wine;
but more of a gesture for intercourse.
Maybe we buried our heads
a little too deep in the glass –
Or, it could have been
some aphrodisiac in the sushi.
For whatever it was,
it is now an invisible
connection between us.
One small sip on the wine
And we toasted to:
FOREVER FRIENDSHIP –
An ingredient that life
could not do without.
Albert Dépas
Alumnus
BEING HERE
Harried, Harry in a hurry
Down to the stoop step stomp
Pick me up some herring, Harry
But not until dawn, when it’s done
Beat rhythm best in brevity, this poem
But who knew?
Tall, green grass
Divided and about to die
Why?
When we’re all given unto rest – climb out of time.
Katharine Dreves
OFF THE CLOCK
time hands
bloodless as pineal rapture
cling
to
breathing a carapace
presence scratching
itself
a modular climb
stairing the well
through a curve
ending at its level facing
*
no clarity
to moss infection
filtered down
the
gumshare gave time
animus to spread
atrium clocks
hammered
deluxe
echo chimes
or canned luxury atoms
no expiration date
slated
to crest
against a tithing shore
Vernon Frazer
​
​
A SESTINA FOUND ON THE PACIFIC COAST
It's only one hour before I board. I want to get there
to the other end, to make Pacific time, there it is
above me, my longitude and latitude packed my
bags. I am tagged like a tat. As I sit
between unknown people, some too big
because I want the Tacoma sun.
I want the red of mestizo brick, the pin-prick sun
of a Sitka spruce and follow the river there when
I touch down on Walla-Walla, big
corner of the universe, a burst is
fog and lighthouse, not smog that sit
like a skyscraper, but tapers the evergreens packed
while salmon snake upriver, packed
with the Wishram man and his papoose, the sun
makes me lose my nativism as I sit
like a caboose. Want to see oddities there antiquities as bleak as the forest is
pick cherries in the Draper Valley, big
bold women ride yellow bicycles, big
gourmet trucks, makes me not rush, not a packed
subway train, but the smell of rain is
there in the state of Oregon, the sun
river when I touch down on Walla- Walla, there
is Georgia O’Keefe to follow, cow skulls sit
from 1933, want to be as old as gold sit
as a tumbleweed, the color of mardi gras, big as
Lincoln’s Oregon oak, want to find N.C. Wyeth there
and Robert Colescott when I touch down packed
with kayak on the Willamette River, forage me sun
convince me that to be transcontinental is
traveled as the railroad, sit
carpetbagger, a swagger of tonic, the sun
is fresh air, the God-given big
nests of Earth freshly packed
my moon river, finally made it there
yes, I finally made it there
sun and air, need nothingness, just to sit
veranda style, while hydrangeas wrap, the bag is now
un-packed.
Robert Gibbons
Alumnus
​
WATCHING MY MOM PUT ON DAY WEAR IN THE MIRROR
Skin is a manifesto.
A tragic, triumphant historical novel
that I can’t seem to stop reading.
The hunger for what could’ve been
under hot light, light-years before my existence.
Before love was laid on the road.
Skin is a manifesto.
I can only pray
to have such confidence in any stride I take.
Her lips a story before my eyes
opened to her face.
Her knees allowed her to whine to the ground
and back to the sky.
In the day glow that was her twenties.
No milk gorged in her mosquito-bite breasts.
Time was no matter.
Time had no space.
Skin is a manifesto.
Hips so hopeful,
a sway so free.
They have no place
in space or time.
I can’t help but think,
this flows through my blood.
Jada Gordon
Alumna
THE MOSAIC OF NURSING
I may not be a Nightingale or a Seacole clone
but can help you heal your shattered spirit not just your broken bones
I don’t see age, sexuality, class, color, creed or race
I see my mother, father, sister, brother and my child in your face
from the first breath throughout life until the tomb
with sacred compassion I’ll be there to heal your wounds
I’ll ensure pain will never take you hostage
a pain-free zone is my recommended treatment dosage
I’m more than someone with pills to disperse
I’m your confidant, advocate and your well-being come first
you are more than a diagnosis, dressing and vital signs
you are an individual with universal needs, a soul and mind.
when age and dementia should be charged with identity theft
memory slowly vaporizes until only confusion is left
or if mental illness invades your body and feeds on sanity
I will dress you in garments of respect and dignity
when language dissipates and it’s difficult for needs to be discern
your verbal and non-verbal language I will endeavor to learn
I don’t expect a financial blessing at the end of each shift
your optimal health, smile, comfort and thank you give me a lift
when hope is smaller than a molecule and the prognosis is poor
I’ll hold your hand at the threshold of death’s door
because, but for the grace of God the roles were reversed
I could be lying there and you could be my nurse.
Teresa Gray
ANOTHER POEM
everything happens at once
the cops bust in the radio says
the cops are busting in the wind
ow shatters there is a camel hump
ing down the street the wind is
playing delightfully your hair in
my face Captain John Smith is
in Ukraine and no one will ever
be the same not once not again
Bob Holman
WILLIE MAYS IN 1850
Willie is always the first one selected
when the overseer commands two slaves
to choose up teams for cotton picking contests
because the master gives a cup of sugar
to the slaves on the team that amasses the most.
Willie is the only one who anyone remembers
feeding cotton into gins for hours on end
and pulling out his fingers fast enough each bunch
he never gets injured, not even a scratch.
Willie sometimes wakes from restless sleep
filled with yearning, something he can’t describe,
something with neither shape nor name,
so he steals away to Black Warrior River
and under moonlight pitches stone after stone
into the air across the water and to the other side.
Marc Jampole
NIGHT: THREE HAIKU
It’s a night like none
Of the rest: too much too soon,
Too little too late.
A warm moon resting
Above the simplest power
Of water obeys.
The end is quite near.
Look at the sky or cracked moon:
Acts of gray reign down.
J. Chester Johnson
INTERLUDE
I learned from Joyce the name of certain times
When who you are, must try to do and be,
Pours through you with the utmost clarity:
Epiphany. I learned from Ezra Pound
About that instant when the world’s stripped down
To one essential scene, in which the gods
Return to where you are, your one true home.
From myself I learned that this true home,
In this green space (in just one tree, perhaps),
Was a nest that I could build if I first named
What and who might fill it in, what boys
And girls in the green of Never-Never land,
Clinging to each other as they wait
For Peter Pan. In such an interlude,
A pause between the major scenes and sounds,
A time before my mother called me in,
I found the spot a poem might begin.
David M. Katz
Alumnus
​
LIMPKIN
The limpkin’s cry has a quality of unutterable sadness, as though
the bird is wailing in despair at the desolation of its watery surroundings.
—from 100 Birds and How They Got Their Names
Eliza Summer was hanging socks on the backyard line
when she heard it. Clothes pins rained on the ground.
Lord have mercy, she prayed. Her hound lifted his
head to howl, then changed his mind. Diane Johnson
and her son Kip were peeling potatoes when they heard it.
Out on their porch, Kip still held his knife. Diane touched
his arm as if to ask, Hear that? Kip claimed it was a bird,
but Eliza knew it was that newlywed girl in the old white
house. Mary. It was a limpkin, Kip insisted, the swamp—.
His mother clucked. What did a boy know about heartbreak?
When Jen Kroll heard it, she called her father for the first time
in thirteen years. Joe Sprague slipped in the tub when he heard
it, and Paul Hoag at the diner shook coffee in his eggs. Diane
whispered, That Mary came in the clinic last week, forearms
shredded like—. She took Kip’s knife. Nudged him. Go shoot
baskets. Sissy Freer cut off the tip of one braid with a tree pruner
when she heard it. Diane wished she didn’t know about Mary.
Inside the house, she crossed herself, lit the wrong end
of a cigarette. When she called him in, Kip missed his shot.
He knew plenty about heartbreak. He’d had a father.
Meg Kearney
Alumna
SIJO
Your grandma’s words and laughter,
my mother a storytime,
across a rock and soil weir;
A garden of sensory,
ancestral paternal tree;
verbalize and summoner,
singing our bathwater song;
We try in Saturday School,
up in the Bronx, Riverdale,
and Sunday, parents and mothers,
will celebrate together.
Robby Kim
Alumnus
STREAMING THE VISION FESTIVAL 25
after Muriel Rukeyser and Ada Limón
You said, “Let’s listen to the second set first. We can do that, right?”
You said that with the technology of past and present
You asked which of the six vocalists was barking
You said, “Isn’t that someone I know in the audience?”
You said, “William Parker’s bass…”
You said this music is crystalline
You said, “Look at the sky. It’s so dark. Isn’t it going to rain?”
Patricia announced, “Get your food and drinks now
before the next set begins”
You said, “Alicia's face is beautiful”
I added, ”Yes, but her hairdo is unfortunate”
You said that my paté looks like dog food so I gobbled some.
You chuckled, wrinkled your brow,
and said, “Now you smell like a dog”
You said, “The piano, bass and viola
should call themselves a string trio.
I replied, “Actually, they do. Matt Shipp’s String Trio”
You said oysters and okra tomorrow,
a Jacques Tatí movie after-
M Hulôt’s Holiday peut-être
Steve Koenig
RESTORATION
for Soraya Hadassah Levine-Brooks
The cardinals on Myrtle Avenue sing
of spring as if nature belongs to its winged-self,
despite the houses and concrete,
despite the cars lining alternate sides
of the street on alternate days
of the week. And everyday it is so,
that people return from work and park
under power and telephone lines
and the Gabriel-like trumpeting
of cardinals singing Cheer! Cheer! Cheer!,
as if welcoming them home,
as if restoring them to nature.
Richard Levine
Alumnus
​
ANCHADA: A LOVE POEM
(& for otis)
love doesn’t need travel to
make sense of a world
where dogs
grow old
in front of blousy,
jasmine, bottlebrush,
and crepe myrtle, while
we exist
rooted in days,
where back up is
a stingy rope of tinsel
ashes from Christmases long ago
so love can rightly be a rosary,
a tin savior, or a tilted genie
though just one love seed,
is much more the rose
that always blooms
and keeps me
from folding
you from falling
ellen wendy lytle
ADVICE ON HOW BEST TO WRITE POETRY
one of your eyes reads Cyrillic letters
the other - Latin alphabet
some write verses from left to right –
Yehuda Amichai wrote from right to left
the golden Chinese poets wrote many works in columns:
these few black kernels of cinnamon
just the right spice for the cookery of world poetry
but regardless of the time (in which they lived)
or their method of writing –
or the alphabet (they used)
they all loved: wine and women - mountain ranges –
fried fish - salad of red peppers
wasting money and welshing on their debts –
they all hunted for sounds
like grown kids with nets for catching fish and butterflies –
or like terminal alcoholics
hopeless drug addicts
sexual perverts –
heirs to Narcissus - Odyssey – Orpheus
some wrote with a pen
others cut their veins - and dipped into the blood
thickened by alcohol and drugs
- a fat needle –
the proboscis of a somnolent bee
but regardless of the liquid drying
on the paper or the cuff of a sleeve –
the poetry recorded by any method
became color and sound
excrement – vomit
and sanies
now and then
a dying bee
may fall onto your window sill
from some other space;
and while - lying on its back - it is flailing away at the viscous autumn air
you'll renounce all advice on how to write poetry
for when you watch: how yachts prepare to leave this bay
and - how sailors - say goodbye to their temporary lovers
and - how tar disappears head down - like a corpse - in water
and - how thousands of saxophones - like question marks –
digest in their stomachs the green droppings of music
and - how the electric current passing through the thinnest string of a violin
reduces to ashes the slightest resistance of a false note
you know:
that it is dangerous to tread this footbridge
laid out by a full moon
on the brocaded body of water
and therefore any kind of advice will prove to be useless
seems to me someone has tried this before
Vasyl Makhno
Special Guest Poet
Translated from the Ukrainian by Orest Popovych
THE MOWER AND THE GRASS
My tears fell onto the clover as I mowed
like giving a haircut to a young child
though there was no fussing at the cut
only its resignation against my purpose
emerald green tips settling onto the soil
to decay and feed what remains of the body.
John McCaffrey
Alumnus
​
​
INSOMNIA
It isn’t just the clock that measures time.
The earth is moving darkness overhead.
Or darkness doesn’t move; then you’re dead.
Stealing someone’s minutes is a crime.
The words tonight are bound in perfect rhyme,
but rhythm falters in this dullness spread
like stones across your chest. Your breath is lead;
your flesh, a pale and impotent paradigm.
The nakedness you fear is no one’s hell.
Love makes everyone an infidel.
Richard Newman
BIKING TO THE GEORGE WASHINGTON BRIDGE
It sweeps away depression and today
you can’t tell the heaped pin-white
cherry blossoms abloom along
Riverside Drive from the clouds above
it is all kerfluffle, all moisture and light
so into the wind I go
past Riverside Church and the Fairway
Market, past the water treatment plant
and in the dusky triangle below
a hulk of rusted railroad bed
a single hooded boy is shooting hoops
It’s ten minutes from here to the giant bridge
men’s engineering astride the sky heroic
an animal roar of motors on it
the little red lighthouse at its foot
big brother befriending little brother
in the famous children’s story
eight minutes back with the wind behind me
passing the boy there alone shooting
his hoops in the gloom
A neighborhood committee
must have said that space
should be used for something recreational
a mayor’s aide must have said okay
so they put up basketball and handball courts
and if it were a painting or a photo
you would call it American loneliness
Alicia Ostriker
8.9.21: DELTA RISING
we were oh so mistaken,
misinformed, misdirected—
no creature from the blue
lagoon, you, lumbering clumsy
up from the deep, you
ghost in summer
clothes, aerial shape/
shifter, lethal variant
covid-19, coronavirus, delta
rising
throwing shade,
casting shadows,
breaking
waves
Eve Packer
IN PRAISE OF DETROIT
Before we loved girls, we loved cars—
Furys, Chargers, GTOs, the ‘65
Ford Mustang, first of the far-out pony
cars, with its long hood and short rear.
Running to the curb, we gave our appraisals
and benedictions. And on that rare and glorious
occasion, the holy grail itself would shark
into view--the Corvette Stingray. It was the only
thing that could stop a ballgame cold, reducing
our rag-tag gang of scruff-necks to giddy delight.
Our apartment parking lot was filled
with relics from the age of Ike—my folks’
mint-green Dodge Wayfarer—stolid and solid
like the decade they rode in from. Only Jim,
the bodybuilder, and Jan with her platinum
beehive, Capris, and high-heel mules (was she
even the same species as our mothers?) defied
the status quo—their peacock-blue Thunderbird stood
out like a cheerleader in a room full
of wallflowers. I remember my cousin C.C. Morasco’s
convertible—a corsage-pink Corvair Corsa--her long
blonde hair streaming, grown men shyly waving,
as she floated by in the new toy my Uncle Phil
had presented her on graduation day. That same summer,
speeding up Post Road, she ran head-on into
a metal lamp pole across from the Dairy Bar. The car
stopped but C.C. did not. Coffin closed.
And Shoeshine Stevie in his sharkskin
pants and Ban-Lon double knit, smoking his one-eyed
mother’s Chesterfields, pointing out the “rides”
to me, his “little buddy,” that he would one day be
commandeering—his favorite, the Eldorado Biarritz,
with its savage fins and fiberglass parade boot. Cool,
old Stevie, who drove his rusted Ford pickup off
a bridge down in Raleigh. Tonight, driving in my black
box SUV, barely distinguishable from the millions of others—
I long for old Detroit style. Give me an Iris Mint GTO with hood
scoops and Hurst shifter, a Samoan Bronze Metallic Deville
convertible—the kind my mom said Andy Williams drove
to the Kahiki Supper Club in Waikiki. Make my hero drive
a Ford Mustang 390 GT 2+2 Fastback—the bad guy,
a Dodge Charger 440 with flying buttress rear window.
And give me C.C. Morasco, Lolita of the Mount,” pink lips
and fingernails, soft tan hands at 10 and 4 on the pink fur
covered steering wheel, matching rabbit’s foot dangling
from the rearview mirror, doing that 10 mph crawl up the dusk
dream boulevard, kids all lined up, all watching C.C., right
there on the corner of Pine and Long, where we dreamed
we would one day shine bright as the stars.
Rick Pernod
Alumnus
EYES TO THE CEILING
considering soul grease
Annapurna, the excrescences
in music and ticklish armpits
in the lag from light switch to sun
what the night sky’s striptease inverts
I reboot my throat
learn to speak again
to chide the bloodlines of a wintry picnic
There is a crumb on my lip
and no one will tell me
why today’s street resembles Montmartre
its dew is another continent’s hope
another’s nothing, nada - blameless
The ruse of emotion on my afroed heart
seeks to thumb rightness into ripple
Such comedy to inspect the gale
let alone its imperfect mission.
Jaclyn Piudik
Alumna
WINDOWS: A PSEUDO-MODERNIST PSALM
The Age of Information
Have mercy on
our stage of saturation
Let us
set our Sponge Bob selves
on sills
more contemplative than those ‘70’s
TV’s thrown mad as hell through windows
Leave screens in place
yet perch ourselves
around the world
outwards
on windowsills
those simpler daises
double as benches
in our globe’s
stadium
The singular spectacle:
our
majestic
Star
that ironically spotlights
poor porous us
our
quotidian
Savior
that innately cremates
the leaden blood of tongues and brains
of friend and faux
till
we
all
meld
to
light
Tamra Plotnick
A WALK IN THE PARK
My wife and I take a walk.
Our goal is not far, and we are slow,
but on the way we talk about going somewhere,
when traveling is easier
and we are able to go somewhere.
She would like to see the redwoods in California.
I would like to see them, too.
But I want to go farther, across the Pacific.
“I want to go to a different country,” I explain.
Meanwhile, we watch numbers of people
examining flower blossoms in every color.
My wife and I have walked uphill.
We can look down at a cloudy lake,
on whose shore turtles bask in the early sun,
and a cormorant spreads its wings.
We’re told by a park ranger
the cormorant is part of a couple this year,
while in earlier years it was single.
Our path out of the park is downhill;
we will be able to walk relatively faster.
Even so, we go slowly,
compared to those who run around us.
Thad Rutkowski
YEAR OF THE TIGER
No contraband cherry bombs this year,
but various tubular devices
that shot a multihued spew
of glitter on spectator pates, bringing in
the Year of the Tiger with more than
a whimper, but less than a bang.
Politicos preening
behind block-long dragons.
Policeman playing tubas.
Firetrucks sirening tuneless tunes.
Flatbed floats replete with dancing maidens.
Taoist sages grimacing and waving.
Bang and clang and crash and clatter.
Good riddance to that last Rat of a Year
which failed to appear, even in cameo,
in the parade cheering on its demise.
Rat slinked off unseen.
Until the subway ride home
when the wily rodent
showed up grinning—the past
briefly leering at the future,
then scampering down the track
to avoid an oncoming train.
Richard Schiffman
DEAR DIARY
New York’s never “coming back”
That’s not our style
We do not retreat
Always plunge ahead
Yes, with uncertainty
Tarnished about the edges
Leaderless now, but not lost.
Fleeing millionaires hoard much heralded tax revenues
Only their money will be missed
Not the hollow hives built upon municipal corruption
One percenters, your retreat will birth a renaissance
True citizens cherish these struggling streets
So please, abandon our overcrowded island to those who will reinvent New York
tattered as it may momentarily seem.
My hometown survived Spanish flu, polio, AIDS
Revolutionary, Civil, two World Wars, and terrorist attack
The one direction that New York City never goes ——is back!
Ilka Scobie
QUESTIONS SONNET
Who are you? Why are you reading this poem?
And what will you achieve by perusing it?
Do you read bushels of poems – or is this
the first poem you have ever tried (alone)
to read? Do you usually read fat
novels? Biographies of Lafayette?
Tuscan cookbooks? The 21-Day Self-
Love Challenge? The Ultimate Guide to Walks,
Patios & Walls? “Tell-all” Hollywood
memoirs (This Will Only Hurt a Little
by Busy Phillips, for example)? All
the Cherry Ames books (Cruise Nurse, Boarding School
Nurse, Stewardess Nurse, Country Doctor’s Nurse,
Braille Nurse, Underwater Nurse, Ski Nurse)?
Sparrow
Alumnus
FINDING A BOOK YOU LOVE
On the last page,
if your tears well up
then stream down
and fall from your jaw,
so you keep wiping
them off with your hand,
you’ll know loneliness
and gratitude just collided.
Melinda Thomsen
Alumna
MIRROR LEAF
Every leaf reflects the sky
dreams of birds and clouds gone by,
warm summers, frosty nights
living green, autumn light.
Sings of rain and stars that blaze
and hold the star watcher’s gaze,
jeweled wonder in the night,
traced in constellations bright.
Speaks of moon suspended white
between the boughs adorned in light.
Remembers storms that break...
the gaps of sky left in their wake,
the ones who stand rooted deep,
the bent who held off defeat,
the sturdy limbs who caught their friends
and spared them from a different end.
Now the leaves dance down,
whirl when they touch the ground.
a mirror woven silver-blue
reflects a dream inside of you.
Life sleeps beneath your feet,
earth rhythm, heart’s beat.
Breathe in the Peace of Trees.
Dance with the fallen leaves.
Warm sun behind closed eyes.
Every leaf reflects the sky.
Mason Trent
TIME
Time wearing a top hat comes in
through a locked door,
tastes the simmering spaghetti sauce,
stretches out on my desk
says “Hi!” breathing out oregano and garlic
through a mouthful of yellowing teeth.
I give it an unwelcoming stare.
It looks hurt slides off and disappears.
When I open the refrigerator door,
it rushes out and wraps around my arm.
I try to shake it off but the grip is a vise.
I give up, let it hang from underneath my elbow.
Time stays quiet sleeps like a sloth
with an occasional kick in my ribs.
“Just to remind you I’m here.”
At night it sings me to sleep chanting:
“I’m Time your one and only precious Time!”
I beg for it to stop the presumptuous, arrogant beast!
It pays no attention to my requests keeps singing
until I fall asleep.
Helen Tzagoloff
FLIGHT MANUAL
for Barry Wallenstein
Obey the wind when it waggles your wings.
Blue-streak curse when you get hurt.
Lie when the dice are more loaded than you.
Live like tomorrow owes you a silver dollar.
Love like fog hugging the river, before
dawn’s red cap ushers in a separate agenda.
Join a chorus of flame-throwers all aimed
at the same outcome—a silver-tailed comet
that shows up in your eyes when you stare
at the ghost we’re seamlessly laying out
to take the place of forever and its rabble horde,
lost in the crossroads of your place or mine.
Try hard to find a way to be found.
The diamonds we cut don’t hoard any shine.
Jeffrey Cyphers Wright