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CITY COLLEGE FACULTY

 

DOWN BY THE WATER

for Amelina

 

I have always felt most at home
Down by the water
Perhaps it's due to ancestry
Island of Sicily
Isthmus of Italy


Recollections of a life well spent
Down by the water
A stroll along the promenade
Borough of Brooklyn
Strait of the Narrows


Whitman once wrote of his body
Down by the water
Of streets he walked and ample hills
Island of Manhattan
Bodies of water to bathe in


It's easy to feel most alive
Down by the water
No time to waste when we arrive
Beach of Rockaway
Arverne by the Sea


Your smile and contentment
Down by the water
A book, body board, and "relax"
Vacations of family
Glorious days of summer

 

Jennifer Buño
Alumna

MOTHERS WORRY

As a mother I have to ask
"Are your feet warm at night?"
"Do you have enough socks?"
The coyotes keep us awake
howling until dawn, you say,
and I have no response to give
but wail for they must be hungry
like the children on the other side,
"And you, my sweet child,
do you have enough water?"
"In a couple of hours," you say
local women carrying trays
will deliver the news.
The boys and girls flocked
practicing war. I remember
when as a child I too played the game
and when an acorn hit our bodies
we fell to the ground
still, kind of like the bodies
of children and their mothers
lifeless lie on the lawn of their house,
near your base
where you guard
farmers, peace-builders
who once brought sand to the beach
will be erased with the tide
or wind, or rockets, or aimed bullets
except your instinct to hope
for warm waters on the beach
for when you return
you left yesterday
reached the war promising you
maybe another chance
only chance will set you free
unless the coyotes get to you
with their howl and darkness
too deep to sift through
swallows you up and spits you out
the next morning
while the stars still brightly shine
behind a curtain yet to be drawn.

 

Leah Kogen Elimeliah

ALONE BEFORE A THUNDERSTORM

If I were a dog I'd howl
though no one's around to hear,
but howling would be a bodily sound,
disturbing the air enough to make a man


to hold my scruff as the mountain growls,
I the dog and the man all negative ions,
electric and alert, our six feet grounded,
so maybe I won't be exactly alone,


with you half a continent east
in sunshine possibly, with some buddy,
two beings of the human species


so distant from my new man and me.
Weather moves east, crowds your sunset.
We run to you in thunder and light.

 

David Groff
First published in Impossible Archetype

NEVER LEAVE

I won't
say good-bye
to forty years
of essays, articles, stories,
poems
written
in the shadows of grief
on the windowsills of joy;


I can't
bid farewell
to springs spent
listening
in the halls of Aaron Davis
to young poets shimmering
like lilacs pressed
against the air,
their words
planted gardens
I never knew existed—
the language
of dreams.


I never knew
how quickly and feverishly
time would travel—
students, from decades ago,
their names, faces
strange and alive,
visiting me in sleep
a reminder
they may have left
City College,
but inside
the gifts I gave them
that they have returned, in kind,


so I may journey
(tender thrill of this life)
with cherished companions
who never leave.

 

Pamela Laskin
Featured Guest Poet

TALKING TREES

Some olive trees
in the village of Khan Younis
are 500 years old,
trees whose gnarled trunks
are now shattered with bullets.


Innocent of the history
that courses round them,
they are swept into wars
that divide people
over the riddle of who belongs where.


Yet they harbor natural crevices
large enough to nest an infant
or serve as a place of breath and rest
for a refugee
fleeing the embers of war.


No one eats of these trees
to figure good or evil,
there is no danger;
they stand unharvested in war
amid the cry of roaming jackals.


Their wounds are invisible
but veins beneath the ground--
their sap and roots--
carry blood through time
to feed a collective scream.


Yet they figure differently in the Book--
are known as Noah trees--
laden with stars,
rooted in a heavenly sky,
destined to wait for a dove

 

Patricia Laurence
Emerita Professor

WHEN WE WERE GUPPIES

 

we pedaled to the beach after school
and soaked in the rays
as though we were about to fall

 

d

o

w

n

​​

a very

and remain

for the rest

like

trapped

We lounged

Sought to court girls

It was a moment

Soon, we were

Betty

waist

into adulthood.

it would be

and be

in the glow

deep well

there

of our lives

insects

in amber.

and played card games.

and drink beer.

captured on Kodak Gold.

to pass through

Boop's

line

How wonderful

to die young

remembered

of the sunset.

We played tag in the ocean,
and drifted on the azure.
We were two jobless teens with reptilian eyes,
watching clouds pass,
until we turned into fish jerky.

 

Serhiy Metenko

THE JEWELED HEAD

 

for Irving Shapiro

 

I imagine myself at a table
beneath a tall window where light streams in,
refracting rainbows like in a Vermeer painting.
Before me a great open book
with crisp blank pages where my fountain pen
scratches, the nib disappearing from time to time:
Opaque ink. My right hand loiters,
my left hand writes, fills pages with arabesques and scrawls.
That pleasure seeps through my fingers
as light grows weaker but richer in hue.
I feel myself sinking toward my center, suspended
between thought and act, a deep, seething marsh
in the twilight hush where I carry
my head like a jewel through the gloom.

 

Daniel Shapiro

CRAPPY POEM (4)

At Rockaway Beach, the seagulls
line up on dunes, like soldiers
watch the children surf
instructors behind each child
on a board, paddle them out to sea
hunt waves while volunteers
in red tee shirts guide
each child back to shore.
This is surf therapy school
for children with disabilities.
From where we open water swim
beyond the jetties and wave breaks
we catch smiles of glee and wonder—
the thrill of a large swell,
bobbing on waves
clouds cover the sky,
shield the sun, the sea
is choppy but no complaints
this morning, ocean is therapy
for all who enter in September.


My father taught my brother and I
to swim before we could walk. Surrounded
by the gulf in Kuwait, he spared himself
the worry of drownings. I do not remember
a time I was not in the water—all seasons, all year.
Each afternoon when my father returned
from work and we were done with school
we'd walk to the pier down the street
dive from large rocks, swim and climb
until the sun sunk down
and we were burnt dark brown,
glazed with salty white, more sea
creature than child –
no different from whale,
hermit crab, minnow
sand shark, stingray or porpoise.
On the way home, a towel
slung over a shoulder, our flip-flops
slap the pavement, as the muezzin's
daily prayers ring out
into the holy evening.

 

Michelle Yasmine Valladares

FIRST RESPONDER

Sometimes I rush like a first responder
to the silvered shards of my memories
stacked – like silver chips.
I hurry should one, two or a few slip away
to join the other forgotten faces
and lost moments.


The pile is large – after all these years.
From one shard, father calls to scold me;
from another, mother holds my hand
while I swim – knowing my fear of water;
my uncles, fresh from the war
tell me stories I cannot understand.


It's my job to save the moments
and keep them alive,
perform triage on my memories
and greet them warmly on their return.
Perhaps, I'm both a first responder
and a last.

 

Barry Wallenstein
Emeritus Professor

WHEN MY POEM APPEARED

in a respected and established
national and international magazine
that people could actually buy
on newsstands,
people used the word
"proud," as in, they were
of me,
as if I had
the baby,
enough money,
made peace in the Middle East
and Northern Ireland,
stabbed a stake through
the heart of racism,
wrested power from the badguys
who didn't deserve it,
sat beside my father through
the moment of death,
found a lover who fought
to keep me,
and when my poem appeared,
I had.

 

Estha Weiner

END SONG

Dionysus choked on his own blood
as—torn apart—his being was scattered across the land


Oh, sing to me.
Sing to me, night, dark as the ocean
as mud
as womb.


Sing to me
from harboring caves,
from burrows of small animals,
from shadowed bar room halls.
My vision is blanched by
Apollo's searing blasts,
his explosions,
his bombings,
his bullet-riddled classrooms.


My ear pressed to the earth,
I detect the music of Dionysus reawakening


as a gingko tree,
as a holly,
as juniper on the hillside.


I rejoice in his thrumming song.
I love… I love… I love
and I
Re-member.

 

Suzanne Weyn

[FLESH IS A FRAGILE CANVAS]

I.


what          cuts          you


                 open


can            sew          you


                 shut


but will not


II.


tear          of

marrow/meat/membrane

cells: a small room

 

independent replication

 

divide & conquer


III.


unlocked/unbolted/unlatched/unfastened/unsecured


unbuttoned/unzipped/untied/unlaced/undone


IV.


wire threaded          nickel through skin

 

                                  ever so delicately

 

the puncture will sing


metallic burst singeing your tongue


  this is going to hurt


V.


you crave it anway

 

Alyssa Yankwitt
Alumna

© 2025 Poetry In Performance 52

Created by Charlynn Schmiedt with Wix.com

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