CCNY Poetry Outreach Center
HIGH SCHOOL STUDENTS
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Honorable Mention
THE POETS
the google definition of a poet
is a massive understatement
and minimization
altogether
a poet’s inner workings
cannot possibly be reduced
to simply
a person who writes poems
a poet
is a person who has been
stomped on
walked over
and left in the dust
a poet
has their veins and arteries
working overtime
sewing together shattered pieces
of their broken, half-beating heart
a poet
gasps through mouthfuls of saltwater
in the waves of their mind
long enough to flash a smile
amidst a tsunami of vehemence
a poet
has been hurt
and discarded
and perhaps even loved
these people who write poems
these injured who explore wounds with pens
are hopeful
and they’re not
are healing
and they’re not
are surviving
and they’re not
so yes,
a person who writes poems is a poet
but a poet has never just been
a person who writes poems
Sanya Afsar
Academy of American Studies High School
MAMA’S MOULD
Mama is everywhere, she is around me
when the cold hits my face it makes my face feel cold, yet when I come home
I am all warm
mama swarms me with her words.
She’s crafted me with everything she has,
embedded in her nails
I am.
Unease I am when mama isn't home
I roam
mindless eyes that dry,
where is mama?
Snow covers the window and the fire sparks,
mama ain't home.
I am the mould mama’s hands worked on,
the ones to hold me, her mouth sung me words
strung together,
made my lungs breathe her air and learn the tune.
As I watch the moon I sing her song.
I feel my frog tail heal,
it's my seal deal.
There’s the door,
mama is home.
Mama where have you been? I have grown old, she watches me with a blue shade
of eyes,
she told me her woes,
her fingers are cold, her hair has grown gray, and she feels weighed down.
Mama is worn.
I feel her hands, her blood gone stranded.
Mama hold me even when your hands are cold, you are my casa.
I’ll be here even when it’s down because bricks aren’t gone under the harsh wind.
Jayla Hall Cabrera
High School of Fashion Industries
UNTITLED
the hands that brush and remove the knots from my black curly afro are the same hands that’ll strike pain to my face later on . the hands that put together every meal that i eat (explains why food and me don’t got a bond no more) are the same hands used to wrap around my waist and provide me with “comfort” , whatever that is. the mouth that utters (rarely) the words i love you is also the mouth i stare at while i prepare myself for whatever is next to come out. how am i expected to know that anyone loves me? you taught me the lines always blur with emotional abuse and this so called love of yours.
Yaiden Perez Cabrera
The Urban Academy for Media Studies
​
OLD TEMPLE WALLS
There were little things I never noticed about the temple,
Never noticed until it was gone.
The old granite pillars, pockmarked by age,
The walls off-white from handprints
And years of leaning on them
While laughing so hard your ribs hurt.
The cozy-cramped rooms,
Bright and colorful, stamped with
Children’s drawings and stained glass.
A thousand prayers stitched together into one building,
Returned to time and time again,
Old and unchanging, a tree trunk against the wind --
Until the wind knocked it over.
Until it was replanted in pale mortar earth,
Drywall masquerading as dirt.
The walls are too white, the rooms are too big,
And there is no one there.
Prayers punched through with wrecking balls,
Drawings folded up and packed away.
No one is in the building.
No one has returned.
I go back to the rooms that haven't changed,
Thank the Lord and His buildings,
But in its off-hours, the silence chokes,
The rooms with walls too wide fold in,
And I am a toddler stumbling in the Sanctuary,
Trying to grasp challah in my too-small hands,
And my mother is just out of sight.
She is talking to the Rabbi,
And I choke on unchewed prayer bread.
It's too big. There's no one here,
No bodies and voices rising in prayer,
​
No bustling murmur, no shuffling talit fabric.
I go downstairs.
The Chapel is still too dark,
Even with huge stained-glass windows,
Blackened by years of prayers,
Rising high and knocking on their glass barrier, compounding.
How many of mine push against the glass?
How many prayers haven't been answered,
Simply because they never made it?
The chairs are still stacked too high.
When we were younger, we made bets.
A quarter to whoever could climb the highest
Chair tower, far taller than ourselves,
Far more dangerous than we imagined.
We were children; we didn't care.
I sit in the dark on a throne of high-stacked chairs,
Memories prostrated at my feet like supplicants,
And I am God of the past in these old temple walls
By virtue of being the only one in the room,
Stuck in old memories that I thought would last forever.
Corvus Chanoine
Hunter College High School
​
​
THE FIG TREE
You’ve been here way before me. Our roots are ever so connected; I was a boy.
Your cooking was always amazing. Took summers to see every meal, sweet and
green. Climbing, saw a bunch of bees never seen on any tree. I wish I had never
missed you. But it’s always tough to see you go; you are the past and the ladder too.
As intended to the roof right beside you. You’re the remnants of a child’s memory.
Friday walks under the afternoon sun. The faraway land, dad missing his son. My
mother told me every step to the masjid is a good deed. Just like you were, a tiny
seed.
Now the house has died
Grandmother just had to leave
But you are still there.
Ayoub Djadja
John Dewey High School
FORGET ME
Lavender dress pulled up to my waist,
Ribs poking out in the wreckage
No one wants to touch me
Found by the underpaid worker
In the last subway car of the summer
Coney Island sign still bright above
Blood dried to stick the melted popsicle
Blended to the pulp that is naked me
He groans ‘cause he hates and likes it
Don’t call the cops for this
They never believed the little girl
They’re just coming to take me away
Feel the concrete blocks of barricades,
Scratched into my sidewalk, “I can’t breathe”
At least when I fell it was on soft plastic floors
Go ahead, man, stare down my breasts
You wouldn’t be nothing special
Pray forget I’m your daughter’s age
Only the night sky I keep in my bloody head,
You had a navy jacket before I passed
Leave it to me to lose all I had
I clutch my books and medals
Midnights on papers through fancy hotels,
Her best compliment the only shield I have left
I have the whole world but home
Too afraid to let go
Never good enough to stay.
Sophie D’Halleweyn
Bronx High School for Science
SAP
Sap between my teeth
And up my nostrils
And down my lungs
The wind rushes through the trees
As I
Try to stand still
But a vine grabs
At my ankles and
Shakes me loose
And I cannot stand strong
Any longer; will not
My cries echo across empty air
To no one
All everyone can hear
Is my tongue spilling out
Laced lies.
But I,
I and the lupines swaying
in the breeze
I and the birds rustling
Under the brush
I and the fir tree holding
My weight;
We could hear
As my lips tore free from
Their sap-locked prison
Nothing is true
And everything.
Elizabeth Harris
Stuyvesant High School
DEPRESSION
The negative thoughts are hard to resist
When you take a peek into the darkness
You get sucked into a negligent abyss
Your spirit is free
But you feel stuck in the same cycle
Shackled to your comfort.
Brianna Hatchett
James Baldwin High School
BEING EMILY DICKINSON
You are always hard to maintain
Withering with gray gloom
Lacks luster, lacks any substance
“I want you? Why assume?”
An Orchid shriveled up, trying
Hoping for affection
Others clueless to its efforts
This feeling, the tension
Starved from love, Aphrodite wronged
No—Why blame? It was me
Now left in the dust, no way out.
Foolish not to be free.
Becky Huang
Susan E. Wagner High School
A NEW WORLD
The thoughts sting my mind
Aim for my heart and brain
Where do we go from here
Do we build a new world?
Can we be in a different world
A better world
Where we meet, our souls meet
Can we not be in a world where it's just you and me
And no one in between
We live to die
Can we not live in a world where you and I don't die
We live for love, we live forever
Your my light through the darkness
Can we not live in a world full of light
The sky lit up for just you and I
Our eyes swell with every tear, sting from the pain
Can we not live in a world where we dance in happiness and not know what sorrow
is I sit there wondering why we’re so far even after you being so close to my heart
Can we not live in a world where we hold each other all day not caring of what
comes tomorrow
I break and fall you’re the only one here for me but then you fade like our faith had
to break
Can we not live in a world where the seasons change but our love stays the same
and you don’t fade away
Everything we feel and do just stays the same
I will love you forever even when I can't
Why can't we live in a world where forever is our love and can’t is our never?
Zainab Javed
Business Technology Early College High School
​
TSUNAMI
It comes rolling out the oblique door
Flooding the tub and sousing the load
With detergent, softener, dust,
The roof of a house, a black car with two license plates, and whatever else It’d
submerged in the last sixteen years,
Then sloshes through the keyhole in the front door,
Soaking the doormat that chirps Welcome Home! Welcome Home!
It’s holding a baby blue laundry basket
With a sopping heap of dollar bills and
Checks from the bank that need to be filled
Sitting inside.
Algae lines the lopsided smile
Littered with toxic spores that travel
From its mouth to its hands, then
An array of artificial grass, cropped with a rickety lawnmower,
Leaves jagged edges that
Cut larynx, skin, voice, and heart.
Every conversation is snipped, snipped, snipped,
And words are swallowed by the whirlpool
That engulfs the four lungs breathing in its personal hemisphere, Built
from brick, stone, and deserted bands of gold.
Eunice Kim
Bronx High School of Science
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​
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HEAT
I feel it,
The sonars of the eyes,
The windows
They installed
Beeping, glaring
Into my soul
My body
And its movement,
The echoes of my ancestors Screaming out in Soninke.
In spite of the French
Movement through the air,
8 billion
And I feel all of it,
The strife,
The anger,
The nihilism,
The recession of human minds In time,
Polarizing us all
I feel alive!
…..yet so dead
In disguise.
I falter and trip
On the empty shell
I’ve become
Or became
Everything
And nothing
I smell the air, and taste it,
The poison
I feel the eyes
The heat
Like cameras
Windows,
the fear
And the people are scared!
Who am I?
This empty shell dubbed with the name “Omar”
I feel it all
The hollowness of mankind.
Omar Knoute
James Baldwin High School
THE PASTURE
How do roses glisten in the air?
The blinding, brutal sun has yet to come.
How glib and torn they looked, just standing there.
They often say that time does weigh on some.
The rabbit poked about the broken tree
And quieted while picking where to roam
When birds and squirrels plunged down with unmatched glee!
“Oh, sir rabbit, don’t you have a comb?”
Oodles of the brightest stars above
Posed as planets looming in the void.
“How come lonely nights are filled with love?”
I asked unto a grazing asteroid.
Nimble flowers hush upon the sight
Of chariots pulling us through the night.
Dovie Lapore-Currin
Special Music School
ARCADE
Blinded by brightness
And machines all competing for attention. Laughter fills the room,
It’s our last opportunity to play,
She uses all her strength to pull down the lever
While we try to pull her away.
It begins, numbers come and go,
​
Rolling like a never ending wheel
Doubtful, for any number higher than 4.
Eyes widen at the sign “Winner.”
Her soft wrinkly hands join together,
Congratulating herself. Luck or not
We each leave with a prize in our hands.
Nicole Medina
High School of Fashion Industries
ATONEMENT
Lying on the rooftop
We are so close to Heaven here
The wispy, faraway call of an earthly spring at your nose
The sun grazing us
We have no problems here, quiet, you doze
Off to the rhythmic heartbeat of the city
You are enchanting, I think,
As the snakes first saw Eve
Rising from the soil where she was meant to lie—
As the nymphs first saw Aphrodite
Rising from the sea where she was meant to sink—
My hands have never been so clean,
not since I arrived here from nothing and
not when I will leave nothing
and when I touch you, perhaps it is not I that is clean
but you that is purifying
you and your corn-coloured hair and lily-freckled skin
your silver cross and bruised knees from
many nights spent on the white tiles of the bathroom floor
in atonement
Creatio ex nihilo, nothing from creation
and I thought only more nothingness as we grew old,
but maybe you—
Where once there was the devil in pearls
this Fatherless lamb turned goat
pagan and female and bloodless and deboned
there now is good flesh, and a good mind
Don’t you see? I have bruised my knees like yours,
have kissed the ceramic tiles in this bathroom enough that
I have invoked and drawn the goat from me
through the stomach,
extricating it through the throat,
ripping it out from my vocal cords as the
harpist plucks His strings.
Am I forgiven?
Am I forgiven?
Am I forgiven?
Vanessa Niu
Special Music School
SELF-REFLECTION
The idea of me is illiterate
I am a failed experiment.
I am an empty shell with a used purpose.
What is left will decompose.
My skin will peel off,
layers revealing a glutton for warmth.
My eyes are fed to me, pulled out of my skull
onto an empty plate of my past meals.
I am the cleanest I have ever been
and I'll be silent for once.
What a waste!
Gioiello Sasso
Franklin Delano Roosevelt High School
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​
THE VENUS BOUND V EXPRESS TRAIN
The scratching the wheels build through the tension along the tracks, as if it had
been a chalkboard
The feeling of suffocation leads you along galaxies
The drawing in your thoughts as if your mind has been an ocean.
The pressure of air around you, the tense sensation of your ears popping
I’m the burning, sweaty feeling in your chest
The shaky tremble in your body
Your nerves tense up
Your mind can’t seem to process most thoughts as it keeps breaking up
why won’t you go away
you haunt me at night
the tension in Venus builds such spite
I repeat it's only worth this fight
despite the story and the need for it to end
you are not my best friend
but my enemy
you keep me still
still in a thrill
sacred, your enemy is the closest to your….
I stand around you, within you, and through you
But this train is on a path of unsettlement and declaration in your mind
Venus stands as “the”
Venus stands as the “I’m”
The Venus Bound V Train traveling in the speed of light
Only in the need to fright
You once dreamed of death’
Throughout your journey of peace
I found you running through train carts, almost falling between two carts, you
running out of breath,your chest pumping, your heart racing
It catches up to you.
Death and its dark shadows all casting behind you and taking every piece of your
It all grows stronger
Just to taunt you longer voice gets shaky.
The 17 Moons (Chelsea Rosado)
High School of Fashion Industries
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QUIET CHAOS
In the shadow of the big city, lies an island so bleak
A place forgotten by time, with an air so weak
Where the streets are lined with decay and dismay
And the people seem lost, with nothing to say
The silence is deafening, as you walk the streets
Abandoned buildings, a reminder of defeat
The smell of pollution, it lingers in the air
A constant reminder of the neglect and despair
The beaches once pristine, now littered with waste
A place once beautiful, now a disgrace
The people seem hardened, with no hope in sight
Their dreams long forgotten, in the dimming light
Staten Island, an island so forgotten
Where the people are lost, and the air is rotten
A horrid island, with one silver lining
There are quiet places if you are up for finding
In the midst of an island filled with chaos and noise,
There lies a quiet spot, a peaceful paradise.
Hidden oasis’, nestled amongst the trees,
Places of stillness, where the mind can be at ease.
The sound of rustling leaves, and the gentle breeze,
A soothing symphony that puts the soul at peace.
Places of refuge, where the heart can mend,
And the soul can heal, from the chaos and bend.
In this quiet location, amidst the chaos of the isle,
One can find true peace, and rest for a while.
A place of beauty, that the heart can embrace,
And the soul can find calm, in this serene, quiet space.
Clidus Sims
Susan E. Wagner High School
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​
THE SUN
Many people hate the sun,
They say they wish it were cloudy and rainy,
Distaste written on their face
I find I quite like the sun,
With its blinding yellow rays,
Creating and eliminating shadows,
Just as he pleases
I catch myself staring at it often,
Willing myself not to blink,
And not to be scared by its light
I think of Icarus,
With his golden wings,
And how strong his will to be free was
But he flew too close,
And his wings broke
Dropping him into the cold, bitter sea
My eyes turn away,
But the imprint of the sun remains.
Tessa Smyth
High School of American Studies at Lehman College
NEW YEAR, OLD ME
They say new year new me
But why do I feel like I never change
The same scared shrew in a 6’4 body
I feel like I’m the same trapped voice
Why do I never have the courage to change
It’s like I don’t change but the protective shell gets thicker
Like I’m almost lost and scared
This fake persona will shatter
Then what
What happens to all my relationships
Do they end?
Do they start over?
What if it’s just been a facade
Am I glamorizing my own life?
And for what?
To prove I’m happy?
To prove I’m worth something?
Well that’s the lie I tell myself at least
Cardin Stillman
Frank McCourt High School
ONE DAY
One day I'll cut my hair
I'll be finally happy once again,
free from this curse that was set on me
and I'll pride myself
for getting out
of these chains of dysphoria
that were forced on me.
But for now I'm stuck with my hair,
I'm stuck in my body
my mirrors now enemies
to my once excited eyes
now tired yet restless
red from my tears
in the chains of dysphoria
unable to break free.
Things have been hard,
everything breaks me
and seeing a mirror makes me cry.
Because the person there,
was never me.
It was just a person
who haunts my dreams
and hides the real me
in a series of lies
and false statements.
And in my mind,
in the corner of my eyes,
I can still see hope
and I can still dream
of a future of mine
where I'm still alive
and I'm where I need to be;
out of my dreams
and in real life.
The true me that was hidden long ago,
with shorter hair and a warmer smile
someday, that'll be me.
Yet sometimes I'm scared
for when I grow up,
when I cut my hair
when ill be able to finally feel something once again,
will it be legal,
Will it be allowed?
Will people degrade me
like they do to people now?
When I grow up,
will I be alright
or will I be silenced
and not be allowed
to experience life as me.
Someday
in the future
I can only hope,
one day, maybe things will change.
For better or worse,
One day.
Adelia Zolotareva
Kingsborough Early College Secondary School
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Third Prize
PLACELESSNESS
Home (v.): return by instinct to its territory after leaving it (Oxford Languages)
​
Teach me how to piece a
home from ruins– debris of false promises
choking any last square of hope Hope is that
thing with feathers, but are those feathers
bricks that can form a foundation
lay the groundwork for a bed I can
call mine Or the iridescent lie of birds
that drafted nests with others
You flew me seven thousand seven hundred miles
to unwelcoming land– soil that doesn’t hold the imprint of my
feet, floating mouths that string myths into sentences
for children I was only a child struggling to
remember my sister’s face how she bought me
three egg-tarts at the Changle airport
how airports are placeless We’re in Fuzhou and Sydney
and New York And this place whose name
started with mei was my new home
with a father I never knew Teach me
with your music box that played Mozart’s Turkish March on
loop how the song is still the same
how home is still home. And I am your daughter.
Yan Zhen Zhu
Brooklyn Technical High School
NICO
Raymond is my father
Raymond may be my name
But I am far from Raymond
I have not left my family for no reason
But I did leave
I have yet to be drunk
One day I may be
He chose the drink over me
I still have his name
I'm not addicted to cigarettes
Yet I’ve still seen smoke from common threats
He grew up with common clothes and harder problems
I grew up with ripped threads
He grew up fostered
House to house
I grew up dead broke
Staying at my mom’s friend’s house to water bugs in our couch
I refuse to be the same
I am no better than he is
He still thinks Chicago is where I remain
Maybe there’s a reason for his name
I never missed my dad
He usually missed my birthday
Showed up drunk at my birthplace
Pissing on the floor
Would’ve thought I was a mistake
I still bear his name
He’s had addictions
I’ve had addictions
We both had and have our problems
He’s asked for forgiveness
I’ve asked for forgiveness
We are the same
Forever in god's name I swear we are different
I am still Raymond others can’t see the difference
I am no junior to someone who has failed to follow through
Yet I have failed too
How can you love someone that never gave you the chance to understand you
How can you love someone who was supposed to be there for your short youth?
I’m in a war with how similar I am to my father
I battle with my identity
I battle the common idea of loving everyone in your family
But how can you love someone you don’t know?
I am far from Raymond
I am Nico.
Raymond “Nico” Crozier
Martin Van Buren High School
​
Second Prize
SPINE
I coughed into the ground and grew a garden. How irretrievable sanity is.
How pure the rise of wilted lilies, flowers of my mind.
I wish I could topple to the ground
like a dead queen’s tower, my life
a castle of sand.
I want to be
Small & strong.
I am proud of my love for pain.
I have been warned of my crooked spine from a young age,
but threats of a brace never touched me, I know each vertebrae personally,
I starved to let them shine.
The backbone
of my mind is made of pictures
of women who don’t want me.
Their voices form
the sinew of my dreams.
The tumble of their hair:
brown, black, or gold
flow in the blood of my thoughts.
The backbone
of my life is nothing but gelatinous
potential. A prod and it gives way.
A push or a poke & it changes shape.
Rooney Kim
The Brooklyn Latin School
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SHOTGUN
​
YOU ARE CORDIALLY INVITED TO MY WEDDING! THERE WILL BE
A BRIEF CEREMONY AND NO RECEPTION. EVERYONE MUST
WEAR WHITE AND SOME KIND OF HAT. (ALTERNATIVELY, YOU
CAN JUST ARRIVE NAKED)
ALL GUESTS MUST ALSO PURCHASE AN APPROPRIATE GIFT USING
MY ‘SMITH & WESSON’ OR ‘SPECTRA TECHNOLOGIES LLC’
WEDDING REGISTRIES. (ALTERNATIVELY, YOU CAN BRING A CAT
WITH YOU, JUST NO PUREBREDS)
I picture it at least once a week.
Vows and flowers cocked
And people I don’t know clapping.
Those I know are shocked;
Enormous eyes
But mine are loaded, steely,
Locked.
It might be you there with me.
(Or do I know you too well now?)
I’ll shoot our names into the altar to make sure
That I still misspell yours
And not mine.
Tear off in a rental car,
Bared chests, lost deposits.
Trading hickies as tin cans crackle back at the churchgoers
Like friendly fire.
A din so loud I can’t hear myself wondering:
(Are you even a Democrat?)
The joy is in the half-jokes
That illuminate the waste.
Like: “Me-ow! Look at that pretty gas station boy.
Should we stuff him in the trunk and take him
on our honeymoon?” (Your nails cut deeper
into my back now. Why?)
We see the burn pile, the shell casing, the match
In that brief flash of spread out smile.
But even blind, the ash still piles inside us;
full up past the eyes. (What color are yours
again? Were they a gift from your mother?)
The high is lost at Motel 6
Where I pull your pin and toss you backward over the
threshold. And you hole up in fetal position and do not
touch me for the rest of the night.
But in the morning when fuse lines blur
(And nothing more is owed)
You’ll fragment,
We’ll share your dress
And hiss, purr, and
Explode.
Otho Valentino Sella
Bronx High School of Science
First Prize
PRE-OPERATIVE LOVE POEM
Má què suÄ« xiÇŽo, wÇ” zàng jù quán. Although a sparrow is small, my
father tells me, it still has all of its guts.
​
Today, childhood is a vestigial organ slumbering beneath
my forehead, and the world is another broken body
I can’t live inside, but with a familiar pulse against my chest my
arms feel like mine again. My baby doesn’t mind the blood
on my face or the way I slip on womanhood like my mother’s red
dress I never quite grew into. She traces the contours of my
exoskeleton and names the bones. Frontal. Nasal. Mandible. My
reflection in the hospital mirror metamorphoses into the fetal pig
I dissected in the laboratory junior year. A nameless loss swathed in gauze on
the operating table. Here’s to the scent of formaldehyde fresh
from the womb and forgiveness like dissolvable stitches in a party basement. The
years of our exile curled up inside each other like nesting dolls.
Here’s to the nose I fractured before my infant skull was finished fusing, and
here’s to the heart I sutured while democracy collapsed outside.
When they slip the anesthesia into my restless veins and implore me to count
backwards to darkness, I just think her name
all
the
way
down.
Josephine Low
Hunter College High School
Foreign Language Award
SEHNSUCHT
Ich schaue aus meinem Fenster und wundere mich, was mir die weite Welt zeigt.
Santorin, vielleicht
Blau und Weiß gestrichen
Je schmaler die Gasse, je leichter zu vergessen.
Oder Venedig?
In der Gondel ist alles einfach,
Kanäle wie diese hat man noch nie so gesehen
Kann aber auch Paris sein
Alles glänzende Träume, die man sich mal vorgestellt hat
Liebende Paare erinneren mich, an was sein könnte
Tokyo, wenn ich mich abenteuerlustig fühle
Die Fremde öffnet neue Türen,
Zeige mir, was ich nie erfahren werde…
Jedenfalls nicht vor einer mickrigen Lucke.
Mein Fenster zeigt aber irgendwie nur eine einzige Realität.
Zuhause—
Die Wände von meinem persönlichen Gefängnis und die Wirklichkeit des Lebens.
Ich bin immer nur hier.
LONGING
I look out my window and wonder what the wide world will show me
Santorini, maybe
Painted blue and white
The smaller the alley, the easier to forget.
Or Venice?
In the gondola everything is easy,
Canals like these have never been seen before
It could also be Paris
All brilliant dreams that we once imagined
Loving couples remind me of what could be
Tokyo, when I’m feeling adventurous
The foreign open new doors,
Show me what I will never experience…
At least not in front of a measly window.
My window, however, somehow shows only one reality.
Home--
The walls of my personal prison and the actuality of life.
I’m always just here.
Amidala Barta-Zilles
Bronx High School of Science
‘PRINTEMPS’
l’hiver me mord.
je suis fatigué de le froid antiseptique–
ca pique
je rêve de printemps, j'ai plein de remords
remords pour mes vœux d'hiver
mais je regarde comme mère nature marche
partout où elle marche le sol fleurit
et la terre se colore
elle apporte avec elle la pluie.
Alors que mère nature se promène
L'hiver meurt lentement.
Alors que mère nature se promène,
Elle apporte avec sa renaissance
elle-même nous est née nouvelle chaque année,
Avec beaucoup d’autres.
Alors que mère nature se promène
Nous renaissons.
Il y a beaucoup de naissance.
désolé - chaque fois qu'une saison arrive,
nous oublions la joie de cette époque.
Je déteste l'hiver maintenant,
mais bientôt je détesterai le printemps.
printemps, les empreintes de mère nature.
le printemps,
les marques de la naissance et
de la renaissance.
SPRING
winter bites me.
I'm tired of the antiseptic cold—
it stings
I dream of spring, I am full of remorse
remorse for my winter wishes
but I watch as mother nature walks
wherever she walks the ground blooms
and the earth is colored
it brings with it the rain.
As mother nature walks
Winter is slowly dying.
As mother nature walks,
She brings with her rebirth
she herself was born new to us every year,
With many others.
As mother nature walks
We are reborn.
There are many births.
sorry—every time a season comes,
we forget the joy of that time.
I hate winter now,
but soon I will hate spring.
spring, mother nature's footprints.
spring,
birthmarks and
rebirth.
Zora Kuehne
Bronx High School of Science
CARO, AMORE MIO
anche quando fa freddo
anche quando ho freddo
mi riscaldi
con il calore della tua anima
il calore del tuo cuore
il calore delle tue mani
mi copre
ora, dopo un lungo periodo di brividi
finalmente ho caldo
non a causa del sole
non a causa dell’estate
non a causa di nessuno altro
perché sei tu
solo tu
per sempre tu
e il tuo calore
che mi guarisce
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MY DEAR LOVE
Even when it is cold
Even when I am cold
You warm me
With the warmth of your soul
The warmth of your heart
The warmth of your hands
Blankets me
Now, after a long time of chills
I am finally warmed
Not because of the sun
Not because of summer
Not because of anyone else
But because of you
Only you
Always you
And your warmth
Which heals me.
Juliet Esposito-Parente
Tottenville High School
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