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HIGH SCHOOL STUDENTS


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Honorable Mention

 

THE POETS  


the google definition of a poet  
is a massive understatement  
and minimization  
altogether  


a poet’s inner workings  
cannot possibly be reduced  
to simply  
a person who writes poems  


a poet  
is a person who has been  
stomped on  
walked over  
and left in the dust  


a poet  
has their veins and arteries  
working overtime  
sewing together shattered pieces  
of their broken, half-beating heart  


a poet  
gasps through mouthfuls of saltwater  
in the waves of their mind  
long enough to flash a smile  

amidst a tsunami of vehemence

 
a poet  
has been hurt  
and discarded  
and perhaps even loved  
 
these people who write poems  
these injured who explore wounds with pens 
 

are hopeful  

and they’re not  


are healing  
and they’re not  


are surviving  
and they’re not  


so yes,  
a person who writes poems is a poet  
but a poet has never just been  
a person who writes poems 
 
 

  Sanya Afsar   
  Academy of American Studies High School  

 


MAMA’S MOULD  
 
Mama is everywhere, she is around me 
when the cold hits my face it makes my face feel cold, yet when I come home 
I am all warm 

mama swarms me with her words. 
She’s crafted me with everything she has, 
embedded in her nails 
I am. 
Unease I am when mama isn't home 
I roam 
mindless eyes that dry, 
where is mama? 
Snow covers the window and the fire sparks, 
mama ain't home. 
I am the mould mama’s hands worked on, 
the ones to hold me, her mouth sung me words 
strung together, 
made my lungs breathe her air and learn the tune. 
As I watch the moon I sing her song. 
I feel my frog tail heal, 
it's my seal deal.  
There’s the door,  
mama is home. 
Mama where have you been? I have grown old, she watches me with a blue shade 
of eyes, 
she told me her woes,  
her fingers are cold, her hair has grown gray, and she feels weighed down. 
Mama is worn. 
I feel her hands, her blood gone stranded. 
Mama hold me even when your hands are cold, you are my casa.  
I’ll be here even when it’s down because bricks aren’t gone under the harsh wind.  
 

  Jayla Hall Cabrera  
  High School of Fashion Industries    

 
 
UNTITLED  
the hands that brush and remove the knots from my black curly afro are the same hands that’ll strike pain to my face later on . the hands that put together every meal that i eat (explains why food and me don’t got a bond no more) are the same hands used to wrap around my waist and provide me with “comfort” , whatever that is. the  mouth that utters (rarely) the words i love you is also the mouth i stare at while i prepare myself for whatever is next to come out. how am i expected to know that anyone loves me? you taught me the lines always blur with emotional abuse and this so called love of yours.  
 

  Yaiden Perez Cabrera    
  The Urban Academy for Media Studies  

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OLD TEMPLE WALLS  


There were little things I never noticed about the temple, 
Never noticed until it was gone. 
The old granite pillars, pockmarked by age, 
The walls off-white from handprints 
And years of leaning on them 
While laughing so hard your ribs hurt. 
The cozy-cramped rooms, 
Bright and colorful, stamped with 
Children’s drawings and stained glass. 
A thousand prayers stitched together into one building, 
Returned to time and time again, 
Old and unchanging, a tree trunk against the wind -- 
Until the wind knocked it over. 
Until it was replanted in pale mortar earth, 
Drywall masquerading as dirt. 
The walls are too white, the rooms are too big, 
And there is no one there. 
Prayers punched through with wrecking balls, 
Drawings folded up and packed away. 
No one is in the building. 
No one has returned. 
I go back to the rooms that haven't changed, 
Thank the Lord and His buildings, 
But in its off-hours, the silence chokes, 
The rooms with walls too wide fold in, 
And I am a toddler stumbling in the Sanctuary, 
Trying to grasp challah in my too-small hands, 
And my mother is just out of sight. 
She is talking to the Rabbi, 
And I choke on unchewed prayer bread. 
It's too big. There's no one here, 
No bodies and voices rising in prayer, 

​

No bustling murmur, no shuffling talit fabric. 
I go downstairs. 
The Chapel is still too dark, 
Even with huge stained-glass windows, 
Blackened by years of prayers, 
Rising high and knocking on their glass barrier, compounding. 
How many of mine push against the glass? 
 
How many prayers haven't been answered, 
Simply because they never made it? 
The chairs are still stacked too high. 
When we were younger, we made bets. 
A quarter to whoever could climb the highest 
Chair tower, far taller than ourselves, 
Far more dangerous than we imagined. 
We were children; we didn't care. 
I sit in the dark on a throne of high-stacked chairs, 
Memories prostrated at my feet like supplicants, 
And I am God of the past in these old temple walls 
By virtue of being the only one in the room, 
Stuck in old memories that I thought would last forever. 
 

  Corvus Chanoine   
  Hunter College High School  

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​

THE FIG TREE 
 
You’ve been here way before me. Our roots are ever so connected; I was a boy. 
Your cooking was always amazing. Took summers to see every meal, sweet and 
green. Climbing, saw a bunch of bees never seen on any tree. I wish I had never 
missed you. But it’s always tough to see you go; you are the past and the ladder too. 
As intended to the roof right beside you. You’re the remnants of a child’s memory. 
Friday walks under the afternoon sun. The faraway land, dad missing his son. My 
mother told me every step to the masjid is a good deed. Just like you were, a tiny 
seed. 
 
Now the house has died 
Grandmother just had to leave 
But you are still there. 

 

  Ayoub Djadja  
  John Dewey High School   

 
 
FORGET ME  
 
Lavender dress pulled up to my waist,  
Ribs poking out in the wreckage  
No one wants to touch me  
 
Found by the underpaid worker  
In the last subway car of the summer  
Coney Island sign still bright above  
 
Blood dried to stick the melted popsicle  
Blended to the pulp that is naked me  
He groans ‘cause he hates and likes it  
 
Don’t call the cops for this  
They never believed the little girl  
They’re just coming to take me away  
 
Feel the concrete blocks of barricades,  
Scratched into my sidewalk, “I can’t breathe”  
At least when I fell it was on soft plastic floors  


Go ahead, man, stare down my breasts  
You wouldn’t be nothing special  
Pray forget I’m your daughter’s age  
 
Only the night sky I keep in my bloody head,  
You had a navy jacket before I passed  
Leave it to me to lose all I had  
 
I clutch my books and medals  
Midnights on papers through fancy hotels,  
Her best compliment the only shield I have left  
 
I have the whole world but home  
Too afraid to let go  
Never good enough to stay. 
 

  Sophie D’Halleweyn    
  Bronx High School for Science 

 


SAP   
 
Sap between my teeth 
And up my nostrils 
And down my lungs 
The wind rushes through the trees 
As I 
Try to stand still 
But a vine grabs 
At my ankles and 
Shakes me loose 
And I cannot stand strong 
Any longer; will not 
My cries echo across empty air 
To no one 
All everyone can hear 
Is my tongue spilling out 
Laced lies.  
But I, 
I and the lupines swaying 

in the breeze 

I and the birds rustling 
Under the brush 
I and the fir tree holding 
My weight; 
We could hear 
As my lips tore free from 
Their sap-locked prison 
Nothing is true 
And everything. 
 

  Elizabeth Harris   
  Stuyvesant High School 

 


DEPRESSION  
 
The negative thoughts are hard to resist  
When you take a peek into the darkness  
You get sucked into a negligent abyss  
Your spirit is free  
But you feel stuck in the same cycle  
Shackled to your comfort. 
 

  Brianna Hatchett    
  James Baldwin High School 


 
BEING EMILY DICKINSON   
 
You are always hard to maintain 
Withering with gray gloom 
Lacks luster, lacks any substance 
“I want you? Why assume?” 
 
An Orchid shriveled up, trying 
Hoping for affection  
Others clueless to its efforts 
This feeling, the tension 
 
Starved from love, Aphrodite wronged 

No—Why blame? It was me 
Now left in the dust, no way out.  
Foolish not to be free. 
 

  Becky Huang   
  Susan E. Wagner High School   


 
A NEW WORLD  
 
The thoughts sting my mind  
Aim for my heart and brain  
Where do we go from here  
Do we build a new world?  
Can we be in a different world  
A better world  
Where we meet, our souls meet  
Can we not be in a world where it's just you and me  
And no one in between  
We live to die  
Can we not live in a world where you and I don't die  
We live for love, we live forever  
Your my light through the darkness  
Can we not live in a world full of light  
The sky lit up for just you and I   
Our eyes swell with every tear, sting from the pain  
Can we not live in a world where we dance in happiness and not know what sorrow 
is I sit there wondering why we’re so far even after you being so close to my heart 
Can we not live in a world where we hold each other all day not caring of what 
comes tomorrow  
I break and fall you’re the only one here for me but then you fade like our faith had 
to break  
Can we not live in a world where the seasons change but our love stays the same 
and you don’t fade away  
Everything we feel and do just stays the same  
I will love you forever even when I can't  
Why can't we live in a world where forever is our love and can’t is our never?  
 

  Zainab Javed  
  Business Technology Early College High School   

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TSUNAMI  
 
It comes rolling out the oblique door  
Flooding the tub and sousing the load  
With detergent, softener, dust,  
The roof of a house, a black car with two license plates, and whatever else It’d 
submerged in the last sixteen years,  
Then sloshes through the keyhole in the front door,  
Soaking the doormat that chirps Welcome Home! Welcome Home!  


It’s holding a baby blue laundry basket  
With a sopping heap of dollar bills and  
Checks from the bank that need to be filled  
Sitting inside.

 
Algae lines the lopsided smile  
Littered with toxic spores that travel  
From its mouth to its hands, then  
An array of artificial grass, cropped with a rickety lawnmower,  
Leaves jagged edges that  
Cut larynx, skin, voice, and heart.  
Every conversation is snipped, snipped, snipped,  
And words are swallowed by the whirlpool  
That engulfs the four lungs breathing in its personal hemisphere, Built 
from brick, stone, and deserted bands of gold. 
 

  Eunice Kim   
  Bronx High School of Science  

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Honorable Mentions

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HEAT
I feel it,
The sonars of the eyes,
The windows
They installed

Beeping, glaring  
Into my soul  
My body   
And its movement,  
The echoes of my ancestors Screaming out in Soninke.  
In spite of the French  
 
Movement through the air,  
8 billion  
And I feel all of it,  
The strife,  
The anger,  
The nihilism,  
The recession of human minds In time,  
Polarizing us all  
I feel alive!  
 
…..yet so dead  
In disguise.  
 
I falter and trip  
On the empty shell  
I’ve become  
Or became  
Everything  
And nothing  
 
I smell the air, and taste it,  
The poison  
 
I feel the eyes  
The heat  
Like cameras 
Windows,  
the fear  
And the people are scared!  
 
Who am I?  
This empty shell dubbed with the name “Omar”  

I feel it all   
The hollowness of mankind. 
 

Omar Knoute  
James Baldwin High School  


 
THE PASTURE  
 
How do roses glisten in the air? 
The blinding, brutal sun has yet to come. 
How glib and torn they looked, just standing there. 
They often say that time does weigh on some.  
 
The rabbit poked about the broken tree 
And quieted while picking where to roam 
When birds and squirrels plunged down with unmatched glee! 
“Oh, sir rabbit, don’t you have a comb?” 
 
Oodles of the brightest stars above 
Posed as planets looming in the void. 
“How come lonely nights are filled with love?” 
I asked unto a grazing asteroid.  
 
Nimble flowers hush upon the sight 
Of chariots pulling us through the night.  
 

  Dovie Lapore-Currin   
  Special Music School  

 
 
ARCADE  
 

Blinded by brightness  

And machines all competing for attention. Laughter fills the room,  

It’s our last opportunity to play,  
 

She uses all her strength to pull down the lever  

While we try to pull her away.  

It begins, numbers come and go,  

​

Rolling like a never ending wheel  

Doubtful, for any number higher than 4.  
 

Eyes widen at the sign “Winner.”  

Her soft wrinkly hands join together,  

Congratulating herself. Luck or not  

We each leave with a prize in our hands. 
 

  Nicole Medina  
  High School of Fashion Industries   


 
ATONEMENT  
 
Lying on the rooftop 
We are so close to Heaven here 
The wispy, faraway call of an earthly spring at your nose 
The sun grazing us 
We have no problems here, quiet, you doze 
Off to the rhythmic heartbeat of the city 
You are enchanting, I think, 
As the snakes first saw Eve 
Rising from the soil where she was meant to lie— 
As the nymphs first saw Aphrodite 
Rising from the sea where she was meant to sink— 
 
My hands have never been so clean, 
not since I arrived here from nothing and  
not when I will leave nothing 
and when I touch you, perhaps it is not I that is clean 
but you that is purifying 
you and your corn-coloured hair and lily-freckled skin 
your silver cross and bruised knees from 
many nights spent on the white tiles of the bathroom floor  
in atonement 
Creatio ex nihilo, nothing from creation  
and I thought only more nothingness as we grew old,  
but maybe you— 

 

Where once there was the devil in pearls 
this Fatherless lamb turned goat 
pagan and female and bloodless and deboned 
there now is good flesh, and a good mind 
Don’t you see? I have bruised my knees like yours,  
have kissed the ceramic tiles in this bathroom enough that 
I have invoked and drawn the goat from me 
through the stomach, 
extricating it through the throat, 
ripping it out from my vocal cords as the 
harpist plucks His strings. 
Am I forgiven? 
Am I forgiven? 
Am I forgiven? 
 

  Vanessa Niu   
  Special Music School 


 
SELF-REFLECTION  
 
The idea of me is illiterate 
I am a failed experiment. 
I am an empty shell with a used purpose. 
 
What is left will decompose. 
My skin will peel off, 
layers revealing a glutton for warmth. 
My eyes are fed to me, pulled out of my skull 
onto an empty plate of my past meals. 
I am the cleanest I have ever been 
and I'll be silent for once. 
What a waste! 
 

  Gioiello Sasso  
  Franklin Delano Roosevelt High School   

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​

THE VENUS BOUND V EXPRESS TRAIN  
 
The scratching the wheels build through the tension along the tracks, as if it had 
been a chalkboard 
The feeling of suffocation leads you along galaxies 
The drawing in your thoughts as if your mind has been an ocean. 
The pressure of air around you, the tense sensation of your ears popping  
I’m the burning, sweaty feeling in your chest  
The shaky tremble in your body  
Your nerves tense up  
Your mind can’t seem to process most thoughts as it keeps breaking up 
why won’t you go away  
you haunt me at night  
the tension in Venus  builds such spite  
I repeat it's only worth this fight  
despite the story and the need for it to end  
you are not my best friend  
but my enemy  
you keep me still  
still in a thrill  
sacred, your enemy is the closest to your…. 
I stand around you, within you, and through you 
But this train is on a path of unsettlement and declaration in your mind  
 
Venus stands as “the” 
Venus stands as the “I’m” 
The Venus Bound V Train traveling in the speed of light  
Only in the need to fright  
 
You once dreamed of death’  
Throughout your journey of peace  
I found you running through train carts, almost falling between two carts, you 
running out of breath,your chest pumping, your heart racing 
It catches up to you. 
Death and its dark shadows all casting behind you and taking every piece of your  
It all grows stronger  
Just to taunt you longer voice gets shaky.  
 

  The 17 Moons (Chelsea Rosado)  
  High School of Fashion Industries  

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QUIET CHAOS  
 
In the shadow of the big city, lies an island so bleak 
A place forgotten by time, with an air so weak 
Where the streets are lined with decay and dismay 
And the people seem lost, with nothing to say 
 
The silence is deafening, as you walk the streets 
Abandoned buildings, a reminder of defeat 
The smell of pollution, it lingers in the air 
A constant reminder of the neglect and despair 
 
The beaches once pristine, now littered with waste 
A place once beautiful, now a disgrace 
The people seem hardened, with no hope in sight 
Their dreams long forgotten, in the dimming light 
 
Staten Island, an island so forgotten 
Where the people are lost, and the air is rotten 
A horrid island, with one silver lining 
There are quiet places if you are up for finding 
 
In the midst of an island filled with chaos and noise, 
There lies a quiet spot, a peaceful paradise. 
Hidden oasis’, nestled amongst the trees, 
Places of stillness, where the mind can be at ease. 
 
The sound of rustling leaves, and the gentle breeze, 
A soothing symphony that puts the soul at peace. 
Places of refuge, where the heart can mend, 
And the soul can heal, from the chaos and bend. 
 
In this quiet location, amidst the chaos of the isle, 
One can find true peace, and rest for a while. 
A place of beauty, that the heart can embrace, 
And the soul can find calm, in this serene, quiet space. 
 

  Clidus Sims 
  Susan E. Wagner High School  

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​

THE SUN 
 
Many people hate the sun, 
They say they wish it were cloudy and rainy, 
Distaste written on their face 
 
I find I quite like the sun, 
With its blinding yellow rays, 
Creating and eliminating shadows, 
Just as he pleases 
 
I catch myself staring at it often, 
Willing myself not to blink, 
And not to be scared by its light 
 
I think of Icarus, 
With his golden wings, 
And how strong his will to be free was 
 
But he flew too close, 
And his wings broke 
Dropping him into the cold, bitter sea 
 
My eyes turn away,  
But the imprint of the sun remains. 
 

  Tessa Smyth 
  High School of American Studies at Lehman College 


 
NEW YEAR, OLD ME 
 
They say new year new me 
But why do I feel like I never change 
The same scared shrew in a 6’4 body 
I feel like I’m the same trapped voice 
Why do I never have the courage to change 
It’s like I don’t change but the protective shell gets thicker 
Like I’m almost lost and scared 
This fake persona will shatter 

Then what 
What happens to all my relationships 
Do they end? 
Do they start over? 
What if it’s just been a facade 
Am I glamorizing my own life? 
And for what? 
To prove I’m happy?  
To prove I’m worth something? 
Well that’s the lie I tell myself at least 
 

  Cardin Stillman 
  Frank McCourt High School  

 

 
ONE DAY 
 
One day I'll cut my hair 
I'll be finally happy once again, 
free from this curse that was set on me 
and I'll pride myself 
for getting out 
of these chains of dysphoria 
that were forced on me. 
 
But for now I'm stuck with my hair, 
I'm stuck in my body 
my mirrors now enemies 
to my once excited eyes 
now tired yet restless 
red from my tears 
in the chains of dysphoria  
unable to break free. 
 
Things have been hard, 
everything breaks me 
and seeing a mirror makes me cry. 
Because the person there, 
was never me. 
It was just a person 
who haunts my dreams 

and hides the real me 
in a series of lies 
and false statements. 
 
And in my mind, 
in the corner of my eyes, 
I can still see hope 
and I can still dream 
of a future of mine 
where I'm still alive 
and I'm where I need to be; 
out of my dreams 
and in real life. 
The true me that was hidden long ago, 
with shorter hair and a warmer smile 
someday, that'll be me. 
 
Yet sometimes I'm scared 
for when I grow up, 
when I cut my hair 
when ill be able to finally feel something once again, 
will it be legal, 
Will it be allowed? 
Will people degrade me 
like they do to people now? 
When I grow up, 
will I be alright 
or will I be silenced  
and not be allowed  
to experience life as me. 
 
Someday  
in the future 
I can only hope, 
one day, maybe things will change. 
For better or worse, 
One day. 
 

  Adelia Zolotareva  
  Kingsborough Early College Secondary School 

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​

Third Prize
Second Prize
First Prize

Third Prize 
 

PLACELESSNESS  

 

Home (v.): return by instinct to its territory after leaving it (Oxford Languages)  

​

Teach me how to piece a  

home from ruins– debris of false promises  

choking any last square of hope Hope is that  

thing with feathers, but are those feathers  

bricks that can form a foundation  

lay the groundwork for a bed I can  

call mine Or the iridescent lie of birds  

that drafted nests with others  

You flew me seven thousand seven hundred miles  

to unwelcoming land– soil that doesn’t hold the imprint of my  

feet, floating mouths that string myths into sentences  

 for children I was only a child struggling to  

remember my sister’s face how she bought me  

three egg-tarts at the Changle airport  

how airports are placeless We’re in Fuzhou and Sydney  

and New York And this place whose name  

started with mei was my new home  

with a father I never knew Teach me  

with your music box that played Mozart’s Turkish March on 

loop how the song is still the same  

how home is still home. And I am your daughter. 
 

  Yan Zhen Zhu 
  Brooklyn Technical High School  


 
NICO  
 
Raymond is my father  
Raymond may be my name  

But I am far from Raymond  
I have not left my family for no reason  
But I did leave  
I have yet to be drunk  
One day I may be  
He chose the drink over me  
I still have his name  
I'm not addicted to cigarettes  
Yet I’ve still seen smoke from common threats  
He grew up with common clothes and harder problems  
I grew up with ripped threads 
He grew up fostered  
House to house  
I grew up dead broke  
Staying at my mom’s friend’s house to water bugs in our couch  
I refuse to be the same  
I am no better than he is  
He still thinks Chicago is where I remain  
Maybe there’s a reason for his name  
I never missed my dad  
He usually missed my birthday  
Showed up drunk at my birthplace  
Pissing on the floor  
Would’ve thought I was a mistake  
I still bear his name  
He’s had addictions  
I’ve had addictions  
We both had and have our problems  
He’s asked for forgiveness  
I’ve asked for forgiveness  
We are the same  
Forever in god's name I swear we are different  
I am still Raymond others can’t see the difference 
I am no junior to someone who has failed to follow through  
Yet I have failed too  
How can you love someone that never gave you the chance to understand you  
How can you love someone who was supposed to be there for your short youth? 
I’m in a war with how similar I am to my father  
I battle with my identity 
I battle the common idea of loving everyone in your family  
But how can you love someone you don’t know?  
I am far from Raymond 
I am Nico.  
 

Raymond “Nico” Crozier 
Martin Van Buren High School   

​


Second Prize 
 

SPINE  
 
I coughed into the ground and grew a garden. How irretrievable sanity is.  
How pure the rise of wilted lilies, flowers of my mind.  

I wish I could topple to the ground  

like a dead queen’s tower, my life  
a castle of sand.  
I want to be  
Small & strong.  

I am proud of my love for pain.  

I have been warned of my crooked spine from a young age,  

but threats of a brace never touched me, I know each vertebrae personally,  
I starved to let them shine.  
The backbone  
of my mind is made of pictures  

of women who don’t want me.  

Their voices form 
the sinew of my dreams.  

The tumble of their hair:  

brown, black, or gold  
flow in the blood of my thoughts.  
The backbone  
of my life is nothing but gelatinous  
potential. A prod and it gives way.  

A push or a poke & it changes shape. 
 

  Rooney Kim  
  The Brooklyn Latin School  

​

 

SHOTGUN  

​

YOU ARE CORDIALLY INVITED TO MY WEDDING! THERE WILL BE 
A BRIEF CEREMONY AND NO RECEPTION. EVERYONE MUST 
WEAR WHITE AND SOME KIND OF HAT. (ALTERNATIVELY, YOU 
CAN JUST ARRIVE NAKED)  


ALL GUESTS MUST ALSO PURCHASE AN APPROPRIATE GIFT USING 
MY ‘SMITH & WESSON’ OR ‘SPECTRA TECHNOLOGIES LLC’ 
WEDDING REGISTRIES. (ALTERNATIVELY, YOU CAN BRING A CAT 
WITH YOU, JUST NO PUREBREDS)  

 

I picture it at least once a week.  
Vows and flowers cocked  
And people I don’t know clapping.  

 

Those I know are shocked;  
Enormous eyes  
But mine are loaded, steely,  

 

Locked.  
It might be you there with me.  
(Or do I know you too well now?)  

I’ll shoot our names into the altar to make sure  
That I still misspell yours  
And not mine.  

 

Tear off in a rental car,  
Bared chests, lost deposits.  
Trading hickies as tin cans crackle back at the churchgoers  

 

Like friendly fire.  
A din so loud I can’t hear myself wondering:  
(Are you even a Democrat?)  

 

The joy is in the half-jokes  
That illuminate the waste.  
Like: “Me-ow! Look at that pretty gas station boy.  

 

Should we stuff him in the trunk and take him 
on our honeymoon?” (Your nails cut deeper 
into my back now. Why?)  
We see the burn pile, the shell casing, the match  

 

In that brief flash of spread out smile.  
But even blind, the ash still piles inside us; 
full up past the eyes. (What color are yours 
again? Were they a gift from your mother?)  

 

The high is lost at Motel 6  
Where I pull your pin and toss you backward over the 
threshold. And you hole up in fetal position and do not 
touch me for the rest of the night.  

 

But in the morning when fuse lines blur  
(And nothing more is owed)  
You’ll fragment,  
We’ll share your dress  
And hiss, purr, and  
Explode.  
 

  Otho Valentino Sella   
  Bronx High School of Science 


 
First Prize 
 

PRE-OPERATIVE LOVE POEM  


Má què suÄ« xiÇŽo, wÇ” zàng jù quán. Although a sparrow is small, my 
father tells me, it still has all of its guts.  

​

Today, childhood is a vestigial organ slumbering beneath  
my forehead, and the world is another broken body  


I can’t live inside, but with a familiar pulse against my chest my 
arms feel like mine again. My baby doesn’t mind the blood  


on my face or the way I slip on womanhood like my mother’s red 
dress I never quite grew into. She traces the contours of my  


exoskeleton and names the bones. Frontal. Nasal. Mandible. My 
reflection in the hospital mirror metamorphoses into the fetal pig  


I dissected in the laboratory junior year. A nameless loss swathed in gauze on 
the operating table. Here’s to the scent of formaldehyde fresh  


from the womb and forgiveness like dissolvable stitches in a party basement. The 
years of our exile curled up inside each other like nesting dolls.  


Here’s to the nose I fractured before my infant skull was finished fusing, and 
here’s to the heart I sutured while democracy collapsed outside.  


When they slip the anesthesia into my restless veins and implore me to count 
backwards to darkness, I just think her name  
all  

the  

way  

down. 
 

  Josephine Low   
  Hunter College High School  

 


Foreign Language Award 
 

SEHNSUCHT 
Ich schaue aus meinem Fenster und wundere mich, was mir die weite Welt zeigt.  


Santorin, vielleicht  
Blau und Weiß gestrichen  
Je schmaler die Gasse, je leichter zu vergessen.  

 

Oder Venedig?  
In der Gondel ist alles einfach,  
Kanäle wie diese hat man noch nie so gesehen  

 

Kann aber auch Paris sein  
Alles glänzende Träume, die man sich mal vorgestellt hat  
Liebende Paare erinneren mich, an was sein könnte  

 

Tokyo, wenn ich mich abenteuerlustig fühle  
Die Fremde öffnet neue Türen,  
Zeige mir, was ich nie erfahren werde…  
Jedenfalls nicht vor einer mickrigen Lucke.  

 

Mein Fenster zeigt aber irgendwie nur eine einzige Realität.  
 

Zuhause—  
Die Wände von meinem persönlichen Gefängnis und die Wirklichkeit des Lebens. 

 

Ich bin immer nur hier. 
 


LONGING 
 
I look out my window and wonder what the wide world will show me  

Santorini, maybe 
Painted blue and white  
The smaller the alley, the easier to forget.  
 
Or Venice? 
In the gondola everything is easy, 
Canals like these have never been seen before 
 
It could also be Paris 
All brilliant dreams that we once imagined 
Loving couples remind me of what could be  
 
Tokyo, when I’m feeling adventurous  
The foreign open new doors, 
Show me what I will never experience… 
At least not in front of a measly window.  
 
My window, however, somehow shows only one reality.  
 
Home-- 
The walls of my personal prison and the actuality of life. 
 
I’m always just here. 
 

  Amidala Barta-Zilles  
  Bronx High School of Science 
 

 
‘PRINTEMPS’ 

 
l’hiver me mord. 
je suis fatigué de le froid antiseptique– 
ca pique 
je rêve de printemps, j'ai plein de remords 
remords pour mes vœux d'hiver 
mais je regarde comme mère nature marche 
partout où elle marche le sol fleurit 
et la terre se colore 
elle apporte avec elle la pluie. 

Alors que mère nature se promène 
L'hiver meurt lentement. 
 
Alors que mère nature se promène, 
Elle apporte avec sa renaissance 
elle-même nous est née nouvelle chaque année, 
Avec beaucoup d’autres. 
Alors que mère nature se promène 
Nous renaissons. 
Il y a beaucoup de naissance. 
 
désolé - chaque fois qu'une saison arrive, 
nous oublions la joie de cette époque. 
Je déteste l'hiver maintenant, 
mais bientôt je détesterai le printemps. 
printemps, les empreintes de mère nature. 
le printemps, 
les marques de la naissance et 
de la renaissance. 
 
 
SPRING 
 
winter bites me. 
I'm tired of the antiseptic cold— 
it stings 
I dream of spring, I am full of remorse 
remorse for my winter wishes 
but I watch as mother nature walks 
wherever she walks the ground blooms 
and the earth is colored 
it brings with it the rain. 
 
As mother nature walks 
Winter is slowly dying. 
As mother nature walks, 
She brings with her rebirth 
she herself was born new to us every year, 
With many others. 

As mother nature walks 
We are reborn. 
There are many births. 
 
sorry—every time a season comes, 
we forget the joy of that time. 
I hate winter now, 
but soon I will hate spring. 
spring, mother nature's footprints. 
spring, 
birthmarks and 
rebirth. 
 

  Zora Kuehne    
  Bronx High School of Science 
 


 
CARO, AMORE MIO  
 
anche quando fa freddo  
anche quando ho freddo  
mi riscaldi  
con il calore della tua anima  
il calore del tuo cuore 
il calore delle tue mani  
mi copre 
ora, dopo un lungo periodo di brividi  
finalmente ho caldo 
non a causa del sole 
non a causa dell’estate  
non a causa di nessuno altro 
perché sei  tu 
solo tu 
per sempre tu 
e il tuo calore  
che mi guarisce 

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MY DEAR LOVE  
 
Even when it is cold 
Even when I am cold  
You warm me 
With the warmth of your soul 
The warmth of your heart 
The warmth of your hands 
Blankets me  
Now, after a long time of chills 
I am finally warmed  
Not because of the sun 
Not because of summer 
Not because of anyone else 
But because of you 
Only you 
Always you 
And your warmth 
Which heals me.
 
 

  Juliet Esposito-Parente  
  Tottenville High School 

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Foreign Language Award
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